Standards.

Here’s something: hurdles. Willow or hazel. Kindof woven fences. They’re beautiful.

Beautiful and I like them. I’ve used them many times, most often when I was a demon landscaper – actually for many years, in Pembs, in that proverbial ‘former life’ – when I was equally hopeless at sucking a meaningful living out of the earth.

They’re soft, and yet not, being literally but somehow pleasingly coarsely woven from either willow rods or cut hazel. You can buy them at fixed sizes – 6′ x 3′, maybe for hosting borders, or 6′ x 6′ if you need a standard boundary – or you can pay an extra lump and get them custom-made.

But hey they’re not standard. They’re stand-out. Cousins in General Aesthetic Improvement. The one stiffish and redoubtable (but still homely), and the other slicker and speaking more of damp and fluency and slickness.

Willow rods or withys/withies get soaked for aeons after cutting – something to do with tannins and also to extend their suppleness – and they’re often reddish-brown, drying when installed to brown/grey. Coz I’m an extravagantly gifted artiste (as you know), I worked out early doors that you can curve your structures: we made some groooovetastic garden dividers and shapers and sexy-border-backers by gently arcing hurdles. You can do it by simply driving in wooden posts and easing the hurdles into shape.

If you’re not thrillingly sculpturally-inclined like myself, you can bang em in straight: they still look great. You just need bog standard 3 or 4 inch round posts – two or three to a hurdle, depending on size and exposure to wind – a post rammer, and some wire or tie. That’s it. I’m but gobsmacked so few people use them to mark their boundaries or tart up their gardens, given their immediate and obvious wow factor.

They’re not even that expensive. Hazel hurdles, which are heavier-gauge and more robust than the willow, came to me yesterday for £80 each, all-in – so including delivery from Zummerzet (I believe. Or was it?) These were six-footers. Strong and striking and bloody good value: I put them up in less than two hours. Willow equivalents *are more*, possibly £130 a pop. But still worth it.

In that former life I was sad or fascinated enough to visit both the National Willow Collection (Long Ashton, near Brizzle) and to actively consider growing willows. I even had preliminary chinwags about using some of the National Botanic Garden for Wales’s land, to produce them. (Weirdofact no. 827: our landscaping mob did a significant bundle of work up there). I got on well with Wolfgang Bopp, then the Top Man, who was interested – liked the idea. I also tried to persuade my next-door neighbour, Robbie the Inflammable Farmer, to lease me coupla fields: neither plan came to fruition.

I just liked them – the hurdles, I mean. And the garden features and even the basketry-stuff, woven from willow. It seemed a lovely ‘cottagey’, crafty, skilful, righteous way to invest your time. But there were and are negatives.

The trips to Long Ashton and to willow growers, in Somerset, was *revealing*. I watched guys building hurdles on a ver-ry simple frame, and thought ‘blimey, we could do this’. (‘But you’d have to knock ’em out quickish, to make it at all worth your while’). I learned that (shockingly) the willows were sprayed twice weekly, in season, to knock out competing plants and munching critters. And that despite the fabulous and rich diaspora of willow species, almost the entire growing universe was down to two species of salix – maybeee even one. (It was thirty years ago but guessing the Drive Towards Progress may not have civilised this ‘culture’).

This genuinely appalled me. I thought of all the crafty people – o-kaaay, there aren’t that many but they would be exactly the type of person to be Rilly Appalled if they knew their withies had been repeatedly drenched in chemicals – and baulked. Or stalled. When it became obvious that we as a family (and a mob) couldn’t justify the likely indulgence of doing something in this apparently largely disappointingly perverse industry, and couldn’t get the land without battling scarily hard, we swerved the idea.

Wanted to use willows/grow willows. Wanted to do it organically, despite the advice and practice or state of the trade. Was gutted, in fact, that despite the seemingly wonderful tradition for family farming down there in Somerset, the reality was relatively ethically-barren, certainly in terms of chemical use and monoculture.

But hey. Bought some hazel hurdles (to replace willow) and banged them up and they look great.

Final thought: I’m aware that many of those who’ve considered investing in hurdles have been dissuaded ‘because they don’t last’. It’s true this can be at issue. But factoid no. 8 zillion and 82: ours (in a maritime location, in West Wales) lasted a decade. Why? Because we grew or transplanted bog-standard ivy against them. The ivy keeps them going – holds them – and it’s a nicer way than slopping loads of wood-preserver all over the landscape; that being the other alternative.

Hazel is a lovely beast. Yellowish and grey and soft and nutty. With added witches and buccolic wotnots. Willows are beautiful; whether weeping or just producing those erectile functions (rods) year after year, upon that cruel-but-horny autumn prune. Go out and feel them. Feel them. Or get them in your garden.

Who cares? But HOLY SHIT!!

Two poor sides going at it, with most of the universe decidedly un-bovvered? One dour manager – the most dour, surely? – a fella who’s failed entirely to build his usual doughty-but-dull-but-‘manly’-resistance within the group versus a bloke who had a tasty season or so at Tottingham in about 1929? Not just unappealing, but irritating: Dyche’s *sole purpose in life* has been to grind out survival. Pochettino has got nowhere near organising his delusionally self-important bunch of poseurs. So who cares? Put some David Attenborough on – he’ll be along any minute. Rather him squeezing out yet another angle from marmoset psychology than some Southern Softie prima donnas v these feeble toffeemen?

Be honest, we felt some of that stuff, pre-game. Then the game, erm, kicked off.

It was hysterical. Pickford was on drugs. Palmer was, as the locals might say, avvin a larf, before fighting (or handbagging, inevitably) with two of his colleagues over who takes the pen for the umpteenth goal. (Madueke and Jackson were the other combatants, further enhancing their claims for Flimsy Flouncer in a Non-supporting Role). It was a romp and a goal-fest; it almost exploded into violence nearly every time a Chelsea player received the ball with his back to an opponent: Everton were all of fizzing and inflamed and supine and weirdly determined to battle.

Mudryk and Caicedo looked like they may once have been or might yet be players. Jackson was 20% unplayable and the rest the usual island of indifference to the team concept. In fact, in that sense he was ver-ry Pochettino Chelsea. Not wildly dysfunctional, but liberated from the traditional understandings around collective responsibility or pattern.

Hang on. I may be over-doing this – or lumping in the view of a couple of seasons. Jackson has been no lousier and no lazier than his ‘team-mates’. Tonight he was good, in patches and the catch and swivel for his goal was undeniably sweet. But the genuinely unseemly scrimmage over the penalty was a horrorshow of antipathies and cheap grudges. Half these players hate each other, have the sensitivity and self-awareness of the average air-raid, and/or are so juvenile they can’t let stuff lie, even when coasting to a thumping win. It was a particularly graceless public stinker: an elite-level stinker of the most galling and embarrassing kind. Something else for the gaffer to get topside of. (Fat chance, given the evidence of the last x months?)

Thank gawd, then, for Gilchrist. His utter and unrestrained joy at scoring for his boyhood faves was the proverbial breath of fresh wotsits. As was Palmer’s serene first half performance, where he both literally and metaphorically megged the opposition towards lumpen bewilderment. Two of his goals were rather special – even if Pickford’s howler assisted the curling lob. England have fabulous attacking midfielders in Foden and Bellingham, but this young man is pressing them hard.

Everton were and have been poor for some time. It makes little sense to ditch Dyche, but he could have no complaints. That one-job thing of his – to smother and sledgehammer a way to safety – has been hopeless. Forget the deductions. Everton were outplayed in the first half last weekend *by Burnley*. They were annihilated here, by a team who may have been momentarily hot but who, like them, have been making the descriptor ‘out of sorts’ an unavoidable option. The Toffees deserve to go down.

#Books and #writing and all.

I know this is kindof niche and I may not be in a position to entirely deny the Cooo, Sales Opportunity factor, but I re-read this (below) and found it mildly diverting. So revisiting.

It’s the transcript of a talk I gave, coupla years back, to Writing Room (writingroom.org.uk) on the ins and outs of self-publishing. Hoping it may be of interest and if not, there are a couple of laughs and the occasional philosophical insight-attempt. With Beautiful Games now unleashed into the wilderverse, and having grabbed a further bundle of knowledge about The Process of Getting Books Out There, it feels okay to piggyback the original event.

To the underslung, I would add, then:

I still really like the whole notion of self-publishing; the freedoms; the Independent Record Labelness; the relative speed of delivering your missive. In terms of practical minutiae, I *now know* that it’s the online behemoths that push for a pre-order period of a month, to allow time for the book files/cover/metadata/whatever to fully load onto their systems. Seems a bit daft in 2024, but this is just how it is. Amazon (e.g.) can put your book up there on Day One but the info about said book, online, may not be correct, or fully described for some weeks. So they call that faff-abart-time a Pre-Order Period and scramble to get things looking right – whilst obviously improving the groovy-‘early’ sales factor.

I have used Grosvenor House Publishing for Beautiful Games, because the people I dealt with were/are tidy and The Dots Will Not Be Joined felt and looked like a kosher book. (In short, happy to recommend). Costs are pretty much unchanged from those included below, other than the increase in prices for copies *to me*, for my book launch and personal supply. This I expected, given the general hike in printing costs, et al, to the producers themselves. Happy to field enquiries on anything around writing or publishing – particularly, obviously, the self-publishing route.

Here’s the new book – https://www.amazon.co.uk/Beautiful-Games-Rick-Walton/dp/1803817763

The rest I think is here…

ON SELF-PUBLISHING.

Hi & welcome to everybody, wherever you’re ‘at’, geographically or writing-wise. I feel like I should start with a patently, refreshingly un-focus-grouped soundbite so here it is: I’m here to ENCOURAGE. I really am.

Am I an expert? Nope, almost certainly not… but I have gone thru this self-publishing thing. So I will and CAN give you some PRACTICAL INFO as well as waffle or spout opinion extravagantly. Ignore all diversions – there will be nonsense and mischief en route – just hold on and I will prove to you I am kosher in the sense of having self-published a book. Recently. You may, should the thing fall into your hands, powerfully dislike THE DOTS WILL NOT BE JOINED and therefore think I’m an utter fraud as a writer but the process would be the same for your fabulous, authentic equivalent.

Brief WHO AM I?

I’m Rick and I’m a writer and a sports coach/P.E. Teacher – mainly the latter, in fact. I’ve always ‘written stuff’ – whether that be songs/poems or bigger lumps of words. Always. For me. For me this is personal, so if you do take away one message from the following kaleido-rant(s) let it be this: I think we write because we can’t stop. The Rest is superfluous (for me, anyway): whether we’re famous and brilliant or mischievous and obscure and daft. (Guess which end of the spectrum I’m waving, madly, from?) The Doing is the thing. Your contribution is the thing. Please create this stuff. You need it/I need you to do it. You make the world better. Get your writing done.

I love Nearly Man/Nearly Person stories. I’ve got some byooots and if we have time I’d love to hear some of yours. Wozzat all abart? I think We Writing Peeps may need to be kinda durable or ‘philosophical’ but we may also need a sense of humour about the madness and anti-meritocracy of all this, yes? Maybe more of that later…

My story is… in god-knows-when my first play was workshopped at the Nat Theatre Studio, in London. It was entirely possible that I was gonna make it: I do actually remember a director saying “Christ, Rick, you’re gonna be SO-O BIG!!” LOLS! Been getting smaller ever since.

I shook hands with the top man there – Nick Wright – over the fact of an upcoming production of one of my plays, then got on with my life. They had ‘wanted me in the building’ so I wrote something else on a second visit. IT NEVER HAPPENED. Not because they realized I was the mischievous impostor/rebellious jukebox I may have been but because the funding was cut for new writing festivals etc. I imagine half of you have experienced something similar – the new stuff, the risky stuff being cut or excluded. I didn’t care. I just kept writing – kept living my life.

Apologies, know this is indulgent but let me stick with this momentarily on the off-chance that this feel somehow relatable and mildly diverting. I’ll mention in passing that a reader at Hampstead Theatre dubbed me a ‘free-wheeling absurdist’ (always wanted to stick that on my passport) and an equivalent at the Royal Court called me ‘the diamond in the dung-heap’ and I think that gave me enough belief… but know what? All that belief/confidence/vindication malarkey… that could be an endless discussion in itself… mainly I was happy, living in Pembrokeshire, with NO EXPECTATION or AMBITION to be somebody – be that kind of writer or public figure.

Have no regrets about this. Never, I swear sought to push open that metaphorical door: never bought directors coffee. Always knew I was a longshot and an outsider because of who I am, how I write. I wasn’t going to change that; they weren’t going to change that. We’re all wonderfully different (and I know this can sound incredibly arrogant but) for me there was and is no conciliation around this.

Know it’s going to sound weirdly against the grain of what follows here, if I say I’ve never considered the public aspect of publishing important. But I really haven’t. This is personal and I fear it will sound insufferably pompous or something… but I don’t, essentially seek or need vindication. I just write. So yeh – uncompromisingly.

THE PROCESS

Started with having the headspace and time to write a book, instead of blogs. (Am an accredited cricket writer and bloggist – have two websites. Have also had articles published in various papers and magazines; sports-stuff mainly. Wisden). COVID made the first tome possible.

Conversations (with folk I trust), who might know, about agents/publishing/stuff I’d need to aware of.

Some publishers INSIST on agents forwarding work: think that’s bollocks but it’s how it is. Didn’t expect to get an agent but googled them and chose a few. Did the same with publishers, at the same time, because a) impatient b) knew my work too ‘left-field/’unstructured’ to land with most mainstream publishers.

Looked hard at publishers, on t’internet and chose about ten, to forward manuscripts. Most want the opening 30 pages, with a chapter breakdown and/or similar highlights package. Took this seriously but opted to present in my own inimitable style, in the expectation of ‘failure’, but the hope of maybe just hitting a like-minded spirit in their camp. Didn’t!

Most publishers take months to get back to you – if they do so. They then pre-warn that any subsequent publication will take a year or more after that. This was intolerable for me, given my book feels contemporary to that 2019/20 moment – was about that moment. Feels urgent.

IN SHORT I THINK IT’S RIDICULOUS (in any case) that it takes 2 years to publish a book. In 2021/2/3? Madness. Simply don’t believe it’s necessary, in the digital age and it was a major driver in pointing me towards self-publishing.

Wrote the book between winter 2020/21 and early Summer 2021 with a view to publishing that autumn. Timing-wise, felt daft not to try to collar some of the Xmas Market. Lols!

 (It had become apparent, from more conversations and possibly email exchanges with publishers, that even with lockdowns meaning half the universe was writing books, self-publishing could happen start-finish in a matter of weeks/a few months. That was the clincher, for me).

So, basically, I didn’t wait for many agents and publishers to respond. I saw an ad on-line, probably under The Guardian banner, probably on the Twitters, for self-publishing via Grosvenor House. I remember asking my good friend Paul Mason if he had any experience or knowledge around this and he said he was aware of other options, but no. Didn’t recommend his agent, neither did the other guy I spoke to. No easy ‘in’: I emailed Grosvenor House Publishing Ltd.

DETAILS AND COSTS.

Abstract: I wanted complete control of my book. I’m a Stiff Records kindofaguy rather an EMI geezer. I didn’t want proofreading or copy-editing services: I was always going to do as much editing and re-writing as anyone but I wanted to make all the choices. Independent Record Label equivalent. Self-publishing makes that possible. It can be thrillingly punky in a way I like.

In July 2021 it cost me £795 to sign up with Grosvenor House. We had inevitably exchanged some emails – you get an individual assigned to you – which prepared the ground in terms of what the writer gets and what the publisher expects. Then you get a Publishing Agreement, (show it!) with just a few pages of contractual stuff – none of which was too intimidating to a newbie like myself.

What the writer has to do – probably not an exhaustive list!

  • Write the manuscript.
  • Produce some publicity/back of the book blurb.
  •  List the book correctly for web searching (metadata – had no idea myself but not over-taxing). Not *actually sure* how vital that is, but they want you in the right box and some people will probably search.
  • Choose or design a cover and internal pics – at £5 per image, from memory. Best part of my adventure: Kevin Little. Somebody I trust, who GETS ME. We talked, I gave him some keys and a picture and away he went. Magic. IT WAS FREE – he understood. He enjoyed it. He brought His Thing. I needed some of his technical knowledge as well as his understanding of me and the book. Find a soulmate in this!
  • Take responsibility for slander/liable/originality etc.
  • Provide ‘an electronic file in Microsoft Word of the book text plus digitally scanned photographs/artwork in the correct format’.
  • Choose fonts and formatting (you’ll get some advice, in my experience). Also matt or gloss, etc.
  • Choose what price you want the book to be.
  • Allow the publisher to distribute sample copies free of charge. (Not sure if this happened, in my case).
  • IMPORTANTLY, THE AUTHOR MUST DO ALL THE MARKETING & ADVERTISING.

What the publisher agrees to do:

  • Arrange and provide an ISBN number – essential, people tell me.
  • To typeset sample pages and send them out to the author for approval.
  • To provide an electronic full proof within 30 days.
  • To assemble a cover – either from material the author provides or from a royalty-free website. (Grosvenor House can, for a fee, design your cover).
  • MANUFACTURE BOOKS ON DEMAND as orders are received.
  • ‘Supply our distributors with your book’s metadata/synopsis’ to ‘all major retailers/wholesalers in the UK and to Amazon.com’. Will list the book with Nielsen Book Data.
  • Make royalty payments twice a year – got £640 for my first!
  • Provide the author with 5 bound and printed copies free of charge. Supply the six national libraries of the UK with a copy of your book.

IMPORTANT NOTES.

Grosvenor House offer services such as editing/proofreading/design. The base rate for that is about £35 an hour but they will offer you specific quotations for particular tasks. They will professionally check-over your manuscript for about £200, in short. I didn’t want that and couldn’t really afford it, given my confident expectation to lose money at this venture. However, I inevitably missed a couple of typo’s and restoring those cost me about £100, post-publication.

The marketing thing is key. You, the author are doing all the marketing. They effectively produce the book and put it on Amazon. You sell it. I absolutely hated the idea that my only realistic option was to sell via Amazon BUT IS THIS IS PROBABLY HOW IT WILL BE.*

EVERYTHING IS DOWN TO ALGORITHMS AND CLICKS (apparently).

Grosvenor House did advise me that pre-publication sales can be major: if a certain number are sold, early doors, that triggers algorithms (or something) that may release your book into actual shops – or get it noticed by actual shops, who then order copies in. THIS DID NOT HAPPEN WITH MY BOOK -I’m a nobody, why would it? But FIND OUT ABOUT THIS STUFF. Lean on the publisher?

*Or by-pass Amazon, maybe… by buying lots of your own books and touting them around bookshops, yourself. (I am going to seriously consider this for my next book). Grosvenor House told me they would sell me any number of my first book at about £4 each – I bought 50, for the book launch.

 Next book I may contemplate buying many more and going on a road trip: let’s do the math.

Haven’t really thought this through but it may be possible to buy at £4 and sell at £10, having persuaded the booksellers to split that remaining money. If you take £7 & the bookshop gets £3, I make that £3 profit per book, for both of you. You may only need to sell 3 or 400, to break even. Could you face that initial expenditure, that risk, that work – that selling? Could that be part of your adventure?

We’re racing ahead. You need to be cute. You also need to be realistic – or not. I simply accepted the near-certainty that I would lose money on this adventure and daren’t buy 400 of my own books – didn’t really want to charge round the country with a car full of books.

My chosen route may have been something of a cop-out, then. I bought just enough books for the book launch, and to place a few in a local hotel and a couple of local shops.

Re-wind. WHAT I DID cost me around £1,000, trying to keep costs down a bit. The Killer Truth is that if you SELL YOUR BOOK FOR around £10 Grosvenor House will pinch £4-plus of that, and so will Amazon or equivalent. MEANING YOU WILL GET A ROYALTY OF (ONLY) £1.40 for every book sold. Outrageous but true.

I bit that bullet and tried from the outset to a) live with the loss but b) push to sell as many as possible.

MARKETING.

Nobody knows who the f*** Rick Walton is. He has no clout, no real ‘presence in the market’. But he knows a man or two that do(es).

I’m a Twitter fiend and have one or two celebrity Twittermates. Or Twitter Big-hitters. Critically for my ego (maybe) and certainly for any sales, both these guys think I’m a decent bloke and an interesting writer. They have many thousands of twitter followers and they both were kind enough to pump the book just a little, on that sagacious platform. The result was I sold about 5-600 books and gathered about £700 back from my outlay.

CONCLUSION.

I loved the whole process of self-publishing. It suited me. Never for one moment did I think it would make me a profit: I was doing it for other reasons. Primarily, rightly or wrongly, I feel there’s something I have to say. It felt like a next step. If the reality is nobody’s going to take me on – no agents, no publishers – so what? I can do it anyway.

It was a brilliant, gratifying adventure; I strongly recommend it. But think about how you might sell a lot of books. You’ll probably need to sell best part of a thousand to get yourself close to parity, dollars-wise, if you do it the way I did.

So who do you know with 300,000 Twitter followers? That’s, in my experience, the way to go. Or what’s your equivalent to that going to be?

Van Gogh: the letters.

Our view of van Gogh feels so blanketed in known imagery and so ripe with cliches about art, ‘psychology’ and sentiment that maybe we can’t know what’s real. He’s arguably the one we all have some grip on but given the industry of tragedy and romance that time and coverage has engulfed his life and work in, the temptation may be to sit with our collective understanding – that of a man who couldn’t cope with the depth of his own feelings – rather than delve towards unlikely or potentially less satisfying clarity. Why learn more? Don’t we *just know* that he poured himself into his art more wholly and relentlessly than almost anyone who ever lived, and that therefore it figures the dam burst? Aren’t those central truths true enough and big enough?

They probably are… but given the genuine, affecting, visceral enormity of the man’s achievement, maybe we owe him another look. In this case – and does this sound feeble? Maybe? – via the stuff he wrote.

Yup. I’ve gone back to the letters; specifically the Thames and Hudson ‘Vincent van Gogh, A Life in Letters’ which beautifully and skilfully presents 76 of the 820 surviving missives. Chapeau to the editors – predictably all senior figures at the van Gogh Museum of Amsterdam – who a) select well and b) present compelling, authentic, believable chunks of the extraordinary content. There are plates, of course, and many of the letters feature the sketches that the artist so often embedded (and described so revealingly and copiously) within the text. (Guess what? The sketches alone make this an essential read, for their astonishing, three-dimensional but also emotional/symbolic life).

It’s a fabulous, poignant book and a truly historic record. Hard to imagine that there could be a fuller or more generous account of the business of human expression anywhere. The very first bit of puff inside the cover describes it as ‘A literary masterpiece that would be worth reading even if the paintings were rubbish’ – Jonathon Jones, The Guardian – which saves me a line or twelve. All I would add is that all of us who (with or without vanity) wish to be passably cultured should be well familiar with this material. It may define the word ‘seminal’.

The letters prove that van Gogh was an immensely cultured man, as well as a kind of gloriously honest empathist for peasants and The Lowly. His knowledge of literature, music and art, from Dickens to Delacroix via Wagner or Zola or Rembrandt, was remarkable, but also figured, given the family art business and the profoundly religious, rather scholarly, early home environment. Letters to Theo, his brother and saviour-benefactor, are deeply concerned with habits and trends and meaning in art, as well as the endless supplying of materials and living expenses. Vincent was all of the following; a religious ‘weirdo’ (early-doors); bookworm; philosopher and theorist. All to a high level of intelligence. Meaning the notion we may have of a Troubled Artist-of-the-Soil-and-the-Night Cafe is a poor under-estimation. The guy could think.

He could think and he could learn. He learned to draw: look at the sketches! From a late start he scorched or ground himself towards a kind of revolutionary draughtsmanship. Unique: brilliant; technical but deep and soulful and evocative in a way that may be unrivalled. (Meaning this image of him as a godlike but rather fearsomely crude colourist, devouring our eyes with the coruscating Sunflowers or cavorting Cypresses is again a travesty). Van Gogh worked tirelessly to understand structure and perspective and body: he did this knowing he needed it – and probably before he knew how his facility for ‘figures’ might light up the universe of possibilities (and the universe!) in tandem with his colours from the South. He also unquestionably felt that he had to earn the right to be taken seriously – to emulate or follow the masters – by working incredibly hard, with (somehow) invincible integrity.

His correspondence beyond Theo – with Bernard, Gauguin, Signac and others – confirms both that van Gogh was a theorist and intellectual and that this idea we have of him as a tragic failure in public or commercial terms is also an inadequate view. Sure there was no widespread appreciation of his genius or his work. But the artists swapped paintings and drawings, out of mutual interest and respect. And some of van Gogh’s works were hung, publicly. He earned a little money teaching and what we might now call mentoring. If it’s true he was so brilliantly revolutionary with his painting that the world simply wasn’t ready for him then a) this is surely a familiar tale, in the arts and b) this again hardly counts as failure. He was a powerful source and a focus for discussion around art in the contemporary artistic community whilst he lived.

Despite his tremendous feeling for historical giants such as Rembrandt and Holbein, Vincent both rated and respected modernists and those who challenged: but my god they had to it well, and with conviction. He became something of a semi-detached Impressionists, alongside or parallel to the likes of Bernard and Gauguin and despite his being challenging and undiplomatic (or worse), their correspondence alone validates the intellectual contribution the man from the dull grey North made. Of course Gauguin did play a role in the breakdown at the Yellow House (and did flee, arguably rather ignominiously after the ear-loppage) but the two great painters of colour did continue to exchange letters, after the event. Touchingly, van Gogh, having had a genuinely positive review from the precocious critic Aurier, deferred very much to Gauguin’s superiority and importance.

With regard to the ending (that we all feel we know something about), a few thoughts. Look at the letters, look at the paintings. The latter, from the yellow but iconically ‘purple patch’ at the house in Arles, to the ravishing-but-maaaybe-tormented cypresses and the last cornfields, painted in Saint-Remy or Auvers, are amongst the most affecting works of art in any medium. In both locations the artist was very much ‘in recuperation’, post crises. It’s therefore become classically tragic but let’s not that obscure the quality – the qualities – of the painting. It reaches more of us than almost anything in the entire history of art; this despite not being immediately easy on the eye. The mystery around how van Gogh found a gun, and what *exactly* triggered its use *at that time* does nothing to undermine the sense of hurt and of waste, that registers with all of us, even now.

Having re-read these letters I suspect that the family gathering, to discuss a long-contemplated potential escape for Theo from his unhappy employment (and the subsequent setting-up of an independent art dealership) was instrumental to Vincent’s suicide. Both brothers had been hugely anxious for some time about how they might proceed if some new way was not secured. Theo’s hopes lay with a brother of his wife, Jo… but it was not to be. No agreement meant Theo and family remained vulnerable to his own poor health and material angst, and that meant even less stability for his elder brother.

Scared, disturbed and no doubt feeling somewhat guilty and even responsible for much of Theo’s predicament – he had, after all, been utterly reliant upon him for a decade – Vincent shot himself, not immediately fatally, in a cornfield in Auvers-sur-Oise, dying two days later. Theo was devastated. He also succumbed to mental illness (although it is generally believed this was just a part of a medical picture including advanced, untreated syphilis) and died himself, six months later. It was Theo’s wife who published the letters, in 1914 and went on to further champion Vincent’s art.

Without the letters, the art is godlike. But the letters are huge. I deliberately choose not to direct you to a particular place. Read them all.

Films, eh?

It’s not the same – they’re really not the same. But I’m going there.

Apocalypse Now, in a cinema in downtown Grimsby, and The Quiet Girl, ‘at Haverfordwest Film Society, last night. The former immediately obvious as a giant; the latter a quiet insinuator. The scale, thunder and ego of the one and the timeless farmyard-backwater of the other. Brando and delirium and slaughter; grass and potatoes and family.

Both will haunt me, or have registered in a way that feels weirdly comparable. They were both palpably affecting.

In Grimbo all those decades ago we walked out shell-shocked in a deeply disturbed silence that defied the cut of conversation or analysis. The heft of the fucking thing left us gobsmacked – 100 people, maybe. That noise; that scope; that insane, thrilling annihilation with or by poetry! Not understood or received in the same way, of course: not to be snobbish but guessing only a handful of us had read Heart the Darkness but… nobody said or *could say* a word, as we traipsed out. Not us punkettes; not the Ordinary Locals. A) Out of multi-level deference to Coppola’s staggering achievement and b) because it felt necessary to slump against the nearest wall first… and – sheesh – recover.

1979, or possibly 80. But the two lads walking out together were as they say(?) changed by the event: how could we not be when it felt obvious we’d just seen the most powerful film ever made? It was like some public/communal de-flowering – and if that’s a dangerous image, who cares? This was a dangerous, wonderful, ruinous, life-changing moment which went beyond ‘the flicks’. However we might express it – with a shrug, with a nauseated heave – we all knew this was a truly rare affirmation of the power of art.

The Quiet Girl doesn’t look to compete with that – or not in the same key. But it does affect. As the bastard-of-a-father angrily stomped to either collect his wayward daughter or (we can only hope) give her up – yup, probably angrily – to the Other Couple, people around me were already raising hands to their faces. As the credits rolled and the lights prematurely rose, nearly everyone was tearful – and some were exposed ‘in bits’. Sobbing. So The Effect was not the same… but the validation, the triumph, the rubber-stamping of the capacity of words and pictures to move folks, to stir them up or down, was there.

Quiet Girl is traumatic despite being something of an ode to the pastoral. It’s all ‘unspoilt Ireland’, except for the unseen but undoubted abuse. It’s cows and hay and loveliness and that thing of handing over – ‘just for a bit, y’understand’ – a child who may be traumatised already and feels like one too many to cope with. Whilst the baby’s being born. ‘Sure y’understand?’

In case you’re wondering, if there is ever a fear that the universe doesn’t need another exposition of any sort on the mistreatment of children then that concern is emphatically and skilfully dumped, here – in fact it’s never raised! – by the compelling nature of the tale and the acting.

This Irish Story (in the Gaelic) looks and feels grippingly authentic, except perhaps for the brief scene where the girl’s potential saviours (Eibhlin and Sean) mistakenly allow her to be watched over briefly by a neighbour. (Have foolishly just read a review of the film, from the Guardian, to grab names/check spellings – forgive me if I don’t spend ages digging out the accents over some of the names – and it completely contradicts what I am about to say about the minor role of Una. Lols. But out with it). Sean, when the child (Cait) is rescued, swiftly and profusely apologises for the error, describing it as an example of his wife’s naive generosity. She even believed in Una. (This we can believe: Eibhlin is a genuinely gorgeous human).

Two things on this: Una is so witchlike the handing-over, even for a short time, didn’t seem plausible, even allowing for the plot-line development in the relationships. And also, for me, Una is poorly-executed. Neither convincing nor darkly funny. Something may be lost in the translation, but she seemed irritatingly out of kilter with the fabulous acting from Cait’s adopted ‘parents’ and from Cait herself. But this is a minor quibble, given my intention here is to thoroughly applaud the first-time direction of Colm Bairead and re-state that this is an outstanding, affecting film. So much so, I might even quote the Guardian, for my deferential, peacemaking final flourish:

It is a jewel’.

It’s guitar / it’s guitar / it’s guitar.

Firstly, they’re just lovely things; the woodiness is often wonderfully attractive to behold and to feel. And the shapes, being both deliberately sexual forms and fitting so well against the body, are kinda lush. It’s easy to fall for, or just really enjoy the feel, never mind the sound of a guitar.

I’m neither a techie nor an anorak and I don’t have money to ‘collect’ or even consider buying guitars that catch my eye. In fact, I deliberately don’t go looking, mostly, so as not to waste energy or tempt fatal expenditure. I can’t and don’t buy axe magazines and only occasionally meander into music shops, although this is partly a function of geography: there ain’t many geetar stores in rural West Wales. I’m also probably in that strum-prone sector of humanity that recognises its limitations: so may not even play anything in a shop, cos That Bloke Over There looks tasty. Feeble-but-true, then; relative poverty and relative shyness are factors. I do love music shops – and probably especially, yaknow.

Guitars are great. I have three, one of which is my bro’s, on long-term loan. That one’s a Spanish/classical job, characteristically sourced from a charity shop. No maker’s name, (not that this would necessarily mean anything), and very plain-looking but sounds really good. Woody and full. I’m a rhythm guitar chord-merchant but sometimes get a decent flow going. A recent return to regular playing has also meant that the softer strings are well-received – lay-offs do mean that acoustics or electrics bite a little.

Historically I’ve been on my Ibanez acoustic but right now the classical feels and sounds encouraging, even if I’m banging out Cure, Radiohead or Talking Heads(!) (It may surprise none of you that I’m using a soft plectrum, mostly, whilst committing this sin against high culture). I can fake some simple flamenco – or could – but (or because) mostly I’m a strummer, not a picker. I’m working on improving the left hand fingering-thing – the riffs, the ‘choons’ – but a) have never wanted to learn to read music and b) thrashing or embellishing chords or just finding a groove is perfectly satisfying. Oh and c) I have a developing Dupruyten’s Contracture in my left little finger, which is definitely starting to impact on twiddles.

I bought my acoustic as an angry know-nothing teenager, in a music shop in Grimsby. It cost £90, a reasonable wedge in about 1978 and, luxury-of-luxuries, it came with a hard case – now lost. Mum bought the guitar because ‘Dad wanted you to have one’. (He had died, tragically, some months before, of a cardiac arrest, aged 44). So there’s unavoidably heavy sentiment around this baby, but I can set that aside to clinically report that this guitar is genuinely excellent; I completely fluked it, having had a fairly cursory play, and genuinely knowing nothing about either makes or quality. It felt like a real weapon, significantly better than all kinds of Fenders or Epiphones or Tanglewoods that I have test-driven, since. I fluked it: it’s beautiful, having that extra ring or energy or soul that top instruments have.

Hilaro-fact: I did get Bert Weedon’s ‘Play in a Day’ with the guitar, before trying to get hold of (or learn) the preferred punkystuff.

Am suddenly struck with a senior moment regarding whether I bought my electric *before* the Ibanez, or not. No: I think I was given a catalogue electric guitar first – Christmas; the one I took on a pushbike to France – then bought the acoustic.

Either way I was in the business of learning Jam/Clash/Pistols/Buzzcocks/A Certain Ratio, maybe. The phase of Bill Nelson worship had passed: this was indeed the Modern World. Even on the acoustic I was knocking out the spittle: maybe a lurch here or there into anthems or ‘great sound’ – ‘You Can’t Be Too Strong’ Graham Parker. The electric was a toy, mind, and that did need sorting.

Manchester was 120 miles or so away but I got it my head that I would surely find an axe that felt like me there, so I went. Solo: bus, I think. Had no clear picture of what £120 would get me (in about 1979) but as it still felt possible at that moment to launch the greatest band in the history of the universe – rivals to Weller/Bunnymen/Costello and even Pil[1] in terms of wildness and fearlessness and relevance and ambition – it would need to be right.

I didn’t know Manchester and I certainly didn’t have the dosh for taxis to flit smartly around the gaff. Long time ago but I think I only found two or three music shops of any interest. What I probably wanted (Telecaster? Gretsch?) was beyond reach. I should have shrugged my shoulders, blamed the capitalist pigs and gone home. But no. I bought a sunburst Antoria Les Paul copy. It’s alright: it looks kinda smart and the bloke from the Undertones had something similar – although no doubt a full-on Gibson. Despite buying a second-hand Vox AC30  – ver-ry Jam and ver-ry Edgy Postpunk Superwallop – I’ve hardly played the fekker for forty years.

The guitar is goodish. My mate Jay (who could actually play) borrowed it and ‘loved the sustain’. Flash git that he was, he’d bought a new Fender strat and, to be fair, had *very generously* done a two-week swap with me: he thought the Antoria was okay. It was. But it never felt like me, not even when it sounded outrageous – when the Vox was attacking the world order via my passable Joy Division riffs. It’s parked by my bed, as I write. I had it serviced. It can sound half-decent but somehow I’ve never quite liked it; even with new Super Slinkies or Ernie Ball’s. Not me – too Supergroupie or would-be-muso.

Now the more I think on this, the more seminal it becomes. In the sense that however mad the next sentence sounds, it could be true, or contain stuff that’s stacked with possibility/regret/weird, wild delusion. If I had found a fabulous, sexy, spirit-animal of a geetar that day, I wouldn’t be here. I would be dead – indie-famous and then dead. If The (Only) Lads hadn’t buggered off to university – or if, less likely, I had found a coupla soulbro’s or sisses who* really bought in*, I might have been at the heart of a punky, spunky, dark and edgy, upful and monstrously-spirited rock and roll band. I would have launched at it and let it consume me. I would have been ‘inspirational’ and a pain in the arse. The drugs and exhaustion would have killed me.

Instead I’m oldish and I’ve had a different ride. Longer. Better. Wunnerful kids and fulfilling work. Giant gaps – years! – where the music that was everything receded. Where I never lost the spirit of ‘Poptones’ or ‘Hit the North’ but different blessings were the ones.

I stopped playing the guitar and wow, the circle turned. I have time. Is this me time? Maybe. Where’s my money at? How long can I indulge this? Don’t know. Don’t know.

Whatever; I’ll grab a weapon and strum, and maybe find some words.


[1] Yeh, o-kaay, they may have come later.

Them’s the rools.

There probably IS a law that says if you win 6-0 away from home, in a critical game, you should go through. In the same way that if you leg it eight times round Scotland you should get the Elgin Marbles – yeh, those ones – and score the winner. But this didn’t happen for Hempie, or for England. On a perversion-fest of an evening, Bronzie nodded an injury-time ‘clincher’ which didn’t quite clinch and fresh, starry legs somehow didn’t quite freshen. Plus er, Holland.

So the Lionesses, who were ver-ry close to superb, over the last 130-odd minutes of their Nations League campaign, were left with what ifs of a stomach-curdling magnitude.

What if Hemp had tapped in either of those gifts? What if the outrageous James had continued to rage (admittedly in her fabulous, drugged-kitten kindofaway) beyond the hour? What if the swift and intelligent Russo or the surging, willing Toone could have made a blind bit of a difference? But nope. Thrashing Scotland would have to be it. Normally – thrilling. Here – devabloodystating. Out. You. Go.

We can blame the Netherlands for being a) good and b) resolute. We can find moments when either James or Kirby dipped below their level and failed to deliver a killer pass, or Charles misread the obvious, or Stanway was a tad selfish. But mainly we should be saying ‘wow. What drama! What collective effort. What heroic stuff’. England ultimately missed out: but Jesus they entertained us on the way.

Scotland were thrashed. Fair enough. Their level is waaay down on England’s – because of resources both on and off the park. Except that hang on. Wales are similarly a slack handful of goals behind the Lionesses, but they held Germany tonight, so what does all that mean?

 It may mean only that Scotland failed to find the compensatory discipline and energy which ‘lesser teams’ need to latch onto, to offer them a chance. Wales are a match for Scotland, quality-wise: ordinary, to be blunt. But despite having a disappointing, not to say torrid Nations League campaign, they battled like hell tonight, against a German side that on the proverbial paper wallops them five or six several times out of ten. (Good stuff and congratulations to Wales, then). But Scotland.

At Hampden the Scots had only a briefish period of the first half which offered hope or respite. England had gone ahead, deservedly, but the home team produced if not a rally… a flurry or two. Then it was only mild carelessness that stopped England from scoring at will. Hemp’s left-footed pass against the foot of the post wasn’t unlucky, it was a howler – a shocker. And later she found herself around the penalty spot with time to choose a corner: but no. She remained a committed bundle of energy and oozed quality, somehow, on a night when along with James, a hat-trick was surely there for the taking? (She must have felt that? She must be feeling not a little responsibility for England’s exit? Cruelly, for she – Lauren Hemp – is an authentic world star, now).

James notched with a fluke off the defender’s back and then claimed the night’s Sublime Moment with her second. Stood up the fullback, dropped the shoulder a little and eased into space. Curled a sweet one (like she does in her sleep-of-the-ju-ust-fabulous), into the far top bin. Notably – because they knew, they knew – her face betrayed not a flicker as she jogged back to go again. Four nil to the Ingerland at the break but they knew (and were constantly updated) of the requirement to stay three or more goals ahead of them pesky Oranje. Lionesses miss out on the Nations League finals and therefore the GB team (is that right?) miss the Olympics.

The Scotland boss, Losa, apologized to their fans, post-game. Fair enough. They were relatively poor, but out-gunned, patently. Disappointment but no shame. He’s entitled to grumble about lack of discipline, defensively but some of this, inevitably, is about lack of quality – of awareness. Scotland were exposed by better players: you work like hell to avoid that but it can happen.

Is it dangerous to suggest that because of the stage of development that the women’s game is in – improving wonderfully but some years away from the situation where lower-ranked teams can routinely compete – England or Germany or USA or Netherlands *might well* stick five past Scotland/Wales/Northern Ireland? But it’s likely that gap will close over time. Scotland don’t have a Bronze or a Hemp or an Earp or a Stanway (even). Until either those players emerge in their squad or the general level of smarts rises, they have to get organised, battle relentlessly and hope.

Tonight England gave them little hope but their own ambitions were cruelly, dramatically squished. On a night of brilliant football, in fact.

We also did this.

Of the three of you who might read this blog, two may remember that the raison-d’etre of the mighty bowlingatvincent.com span round the sport/art axis, pret-ty much alternately. Meaning I *really did* try to write something sporty then arty.

This I think was more about gentle inclination than actual cunning planning – although I reckon I was conscious that no fekker on the planet was writing on M U then Frieda Kahlo. That minor dawning was about as close as I’ve ever gotten to Marketing , or Social Meedya Planning. Anyway – apologies – I’ve drifted from that aspiration.

I’m not in a position to promise any meaningful kind of comeback; just that I’m conscious of the drift and *would like* to address it to some extent. (In the (allegedly) Real World, I’m writing another book and pouring most of the creative energy into that… so don’t expect any progress on this for some months. However).

We all have faaaar tooo many WhatsApp groups, yes? I certainly do – and I almost hate it. Who are these people who feel they have to set up a separate group for every micro-section of every ‘team’ or department? (Answer; these people are YOU!) Bollocks. They are bollocks, most of them.

I have eight hundred but need two WhatsApp groups. Maybe three, including family. One for cricket and the other for keeping shit together; real shit, like heart and soul and meaning of everything. (Thankyou, lads). This WhatsApp is the greatest and funniest and richest and most life-enhancing WhatsApp group in the history of the universe. Like yours is, I hope.

One of the four individuals within this magbloodynificent posse sent a Spotify covers version-thang over. Most of it was instantly of us. Meaning it was surefire gorgetastic and appropriate: an easy win. Some of it, less so. I’m going to write about one of the tracks.

We all grew up in and through punk and the glorious aftermath. Joy Division, Bunnymen, Costello, Weller, Fall, Magazine, Clash, Cure, Gang of Four, Talking Heads. Later Pil, Specials and all that malarkey. One of us – *cheesy grin emoji* – still hasn’t grown out of the phase predicated on anger. But guess what? I’m writing about K D Lang.

It was a cover, yes? Guess which one?

Nope – or yeaaaah! – A Case of You: the Joni Mitchell song.

This is not my territory. I’m deeply (punkily?) suspicious of the world of melody, of beautiful projection – of choons. Realise this is utter cobblers, the immediate exclusion or de-legitimisation of everything Paul McCartney and Almost Everybody ever did… but still hold onto that ultrapunk notion that making cute, beautiful-sounding things led us to the wall-to-wall masturbatory shite that was the seventies super groups and most of commercial Pop Music.

Us Angry Bastards are still right to be anti-airhead, anti-vacancy, anti-conciliatory: it’s still not right, not enough, to be a music-maker who wants to be adored for their wizardry or musicality. Not when the world needs improving so much. But hey; I’ve gone off on one…

Torch songs are not my territory. Great, tuneful singing rarely moves me.

A Case of You is about Mitchell’s fine, fine songwriting… but mainly it’s about the singing. It’s next-level gorgeous. Lang can sing but here she is into the sublime, crossing and dipping her toes into the stream that is the piano.

Things ease more than they twinkle: the vocal is parallel then sliding or surging ahead. It’s rich and melancholic but (critically?) somehow ego-less. Lang and the sound crew produce a quiet triumph of technical excellence where the soulfulness is in no sense neutered by ‘performance skills’. (In fact the fekkers make it work, goddammit!) This is High Torch but still manages to be risky and human and genuinely poignant.

Try singing it. The spacing – and the range, obvs – are a challenge. Lang is masterful. It’s a dollop of perfection, the kind of thing you want aliens want to discover when they land next August and find we’ve self-incinerated. Because it’s about us. Lang’s singing is Peak Expression of our capacity to relate and to feel. It captures and vouches for us.

The more you listen the more you hear a very rare mix of control and luxuriant risk. It’s full of blood and wine and maybe damage. A Case of You is not, I think going to change the world but it passes the Punk’s Test for value. It’s a great, full human statement: a complex story we don’t need to unpick. I want those space-travellers to find it and nod in approval.

We humans were lousy but we also did this.

It Goes On…

It goes on. Painfully; extraordinarily, the crassness of it all being weirdly relentless – almost as though These People are intent on wearing us down.

Building regulations ‘opened up’… in clear, bullish, provocative contradiction to the water crisis. Deals cut for the Barclays; reams of contracts reeking of the same, foul whiff, succeeding the awesomely flagrant track-and-trace and the (useless) protective equipment deals. Remember those? Remember the bee-line to donors and pals? Remember your cash being systematically pilfered? It goes on.

Johnson’s lazy, assumptive greed may have been at the epi-centre of this historic low: but his Cult of Endowment has spread. The modern Tory seems to generally believe that the rules don’t apply to them. They are without conscience and they recognise no authority but their own ability to push things through.

We can’t let their dumb selfishness, their raw, idle corruption and their hatred of others drag us into the kind of desensitized fog that suits their purposes. We really are (and really have to be) better than that.

Zoom in. Our rivers – the arteries of our landscape – are choked with shit. It’s a perfect symbol for the era of Johnson and Gove, Truss and Patel, Mone and Sunak, Braverman and Zahawi and Rees-Mogg: the time when shamelessness, greed and the worst, most indulgent kind of uncaring trumped the authentic work of government.

Add to that list the names of Shapps, Jenrick and Coffey and we have a pret-ty clear picture of the Deeply Crap People who have constituted the party-in-power for more than a decade.

They were murderously incompetent through the pandemic. They were more obviously corrupt around the sickening Covid Fast Lane (for sidekicks and schoolmates) than any government of our lifetimes. Only #theveryworstofus could turn international but also deeply personal family tragedy into a business opportunity for the clan. Only that Johnson tribe (and its flunkies in the media) could squeeze filthy lucre out of that moment.

But it goes on. Via inevitable subterfuge – the disappearing stories, featuring Mone, Harding(!), All That Covid Money – or through the whole, wretched, perennial Tory donors thing. Environmental standards sliding yet again (despite the outrage around our rivers!) because the Tories need to payback the developers. Sunak the smiling void implicated in a zillion convenient outcomes for his family, for the people he needs. Crass, mindless gifting of advantage to industries or individuals that back the Conservatives – even these Conservatives. Just how stupid do these clowns think we are?

It’s possible that the wearing-down of our intelligence (and therefore our resistance) is strategic. The Soul-Dead Robots advising the Tories *really might be* sensing, in their foul, ‘pulse-gathering’ systems, that pressing the Small Boats button or the ‘look, Wokes!’ button hard or often enough might see these charlatans through.

We have to be better than that. I think we are. We have to gather ourselves; protest; use the law – even when the process feels tilted against us. Not only must these Tories go… but they must be held to account.

Pic from Reuters.

Quality will out?

Better team won? Think so. The first half was a good watch, the second that familiar mix of drama, am-dram, controversy and disjointed play… but Spain unquestionably deserved the win.

Wiegman was stirred into action at the half, changing formation and personnel. Whether you think this was shrewd and positive or belated, given the likelihood that a Walsh and Toone or Stanway axis and a back three would be stretched (if not unhealthily contorted) *by this opposition* will of course depend on the level of your Sarina-lurv. (Mine is high-ish, but Spain have quality, they have intelligence and they have a team shape/’way of playing’ that is going to expose lack of numbers and/or width across midfield. The universe knew this).

England started well; brightly, with Hemp doing that bustling striker thing with notable conviction. Russo was less involved, perhaps predictably, but under-achieved a little on the keeping possession/linking play front. This, and the need for tactical re-organisation, meant the central striker was withdrawn at the break: that will have hurt but it did make sense. Walsh was again present… and yet not; her contribution, like too many of her team-mates, being fitful or ultimately ineffective. It may be telling that the defensive bulwark that is Carter was the Lioness emerging with most credit, on the day.

The story of this World Cup should maybe start and end with the astonishing antipathy betwixt management and players in and around the Spanish squad. Several worldies flatly refused to play under the Vilda regime and yet they not only went and won it but looked like a team buying into something, throughout. They played largely in that groove. It’s an extraordinary achievement for both coaching team and players to be so divided and yet make something this complex (and fraught with variables) work.

The goal was a gem which felt like a rehearsed execution. Bronze gave the ball away, criminally, in midfield. Sure, her comrades had not done enough in terms of making angles for the pass but Bronze ploughed on, greedily, head down, her angst brewing with every yard of error. There were ways out of that mess she chose to ignore.

England’s brilliant veteran has again too often looked like a Huge Talent veering alarmingly between overconfidence and over-thunk misjudgement. Here, as she stumbled towards the centre-circle, Bronze did not look like a player over-doing the reigning-in of her superior gifts and athleticism. She looked a bit daft: she was culpable.

The inevitable concession of the ball preceded the simplest, purest, most ruthless exposure you can imagine. Have ball, head up, go left. Full-back in space (known to be vacated by Bronze). Pin-sharp drive across the keeper. Goal. A truly glorious *routine*.

Carmona’s symbolic, statement, quiet-wondernotch won the game – and rightly, somehow reassuringly so. That it came early may have contributed to the rather unsatisfactory nature of the second half, which was disjointed, stressy and almost bad-tempered by comparison. We saw some fluency again, from Spain, but England were physical – sometimes in a way we might characterise as ‘borderline’ – ‘direct’ and still unable to raise a significant or sustained threat.

James, Kelly and England came on, to little effect: the latter two being frustratingly wasteful when they must surely have been heavily instructed to use the ball with care and commitment. There were fouls and a little exaggeration. There was an hour-long wait for a penalty, against Walsh, for a relatively minor (but obvious) movement of the arm towards the ball. Earps, after some blatantly cynical but arguably successful interference from Bronze, saved.

The referee lost some of her nerve and control as the half proceeded and the stuttering and shapelessness began to dominate the football . Bronze should have been booked. Hemp and Stanway and some of the opposition should have been booked, for clumsiness and/or that now ubiquitous ‘breaking-up’ of the game. Paralluelo, (if the letter of the law, blah-di-blah) should have been sent off, for kicking the ball away, having been booked earlier. (That might have mattered).

The Lady in Black opted out, not enough to spoil the contest, but, in a competition where one of the major plusses has been a marked improvement in the admin, this was unfortunate. Penso was lucky, in a sense, that her drift appeared to be non-instrumental. The team in red found more space and more angles than the team in soft blue. They looked more likely to extend their lead than England did to nullify it. In short we got the right result.

Yup. In sport we want the best and most entertaining teams to win tournaments, yes? Spain may have been a narrow second to Japan on the watchability front, but they brought a particular, highly-developed quality to this that no-one could match. So good luck to them. I hope they enjoy their separate celebrations.

England, meanwhile have had a good tournament, in which they have ‘max(x)ed-out’, by playing well once or twice, and ‘finding a way through’ on the remaining occasions. (Such is tournament football). More importantly, they will undoubtedly have inspired the next generation. They have players and are likely to remain a force.

Spain, with top, top players *outside of the current squad*, may find themselves building a dynasty.

Producers.

Another vid; this time Leeds. It does burn, eh? That arrogance, that gulf of apparent indifference. Headsets on, blinkers on, dead souls dreaming of cornerflag dance-moves. Fans? What fans? ‘Banging choon, dis, Lukie!’

But friends we better acknowledge – because it’s surely fact? – that plenty of footballers are good guys (and gals). It’s just the other stuff that makes them seem like mindless twats.

In the last few days I’ve seen two England players – Trent, and Callum Wilson – project some authentic positivity and awareness. The Liverpool man has launched himself with some conviction into the flash but scandalously dumb world of the Academies. (Dumb because the Great Arrogance holds: that riches lie in wait; that the world will be scoured; that selection and development can be shite, because Everybody Who Could Possibly Have a Shot At This, is in the building. Dumb because a zillion players will be cut, with poor preparation and aftercare – hence the Trent Intervention).

Wilson, in #MOTD interview, spoke eloquently and wisely about poverty, exclusion, embarrassment. We do see this and we need to, partly because many of our footballers did come from ‘nothing’. Their background was scruffy and under-privileged. And it’s therefore only right that there are Football Officers at every club, doing real community work. So… how come we see that gulf, so often? Players behaving appallingly or heartlessly or with no feeling for either other people, or for the responsibilities they must know come with their profile? Do they know? Ain’t that part of the Academies’ job?

Lots of players are stupid. Some are genuinely arrogant and uncaring. It’s entirely possible that incident A/B/Z might trigger the concern that many lack any real understanding or attachment to what we the Solidly-Decent Ones might consider to be acceptable, non-negotiable values. Some of this crassness and delusion is learned behaviour, centred on or springing from the Academies and their status. And predicated on mind-scrambling money. Like the pandered elite, these kids really don’t need to care. They know they’re important, because the facilities and the environment infer that. Plus they have sixteen cameras on them, or will have. And some bloke will be thrusting an urgent ipad or a wee whiteboard under their nose(s), and they’ll be told to speak behind their hand, because they hold precious secrets. Everything’s vital; the game-plan, the barnet, the moves.

Truths do lurketh, but this provocatively traduces so much and so many. There are wonderful people working in football at all levels just as there are in cricket or any other sport. So the modelling of behaviours can be magbloodynificent, too. But footballers do seem to behave and/or react disproportionately badly, whether that’s ignoring or not even registering the existence of fans or cheating, faking or routinely and foully abusing officials on or around the pitch. (Bold opinion: footballers are shocking for this. As are managers, of course). Importance and self-importance must play a significant role, here.

Football People on your tellybox are very often lying, manipulating, or at the very least myopic. It’s accepted. Despite the physical impacts and clashes being patently less loaded (and therefore less provocative) than they were, footballers react badly very often, either being dishonestly ‘dramatic’ or plain cynical. Again, fascinatingly unknowable how much of this is bastardised vanity – stay down, roll around a bit, you’re on the telly – and how much tactical cuteness. (Milk it; make it work for you – their fella might get a card). Whatever, the void where the instinct-to-play should be, the ‘get up and crack on’ impulse, never mind the values-thing, is depressingly ever-present.

It’s also unclear how much of the poor behaviour is coached. If Zaha – now substantially reformed – was at one stage the most obvious diver in the Prem… was he coached to do that? Were Kane and Sterling coached to adjust and engineer and feel for ‘contact?’ Did they throttle back on that, somewhat, after Southgate had a word? I suspect that this is more learning-in-the-environment than explicitly instructed, but don’t tell me that strikers don’t get told to ‘go down’ if they feel a touch.

This asks questions of the leading managers: like who can we respect, for their civility? For their fairness?
Klopp is a good man, a Football Man who loves the game, his players and understands Liverpool. He gets most things, he has soul, you suspect, but even he explodes, outrageously at officials – as he did during the Tottenham game. (And don’t go telling me he was provoked. Unacceptable: he almost seemed to concede that by joking about his mid-abuse muscle pull). Pep is generally able to keep a lid on his emotions but does like the occasional incandescent rage. Arteta I find unlovable, for his own, peculiar, deeply-brewed, extravagant inflammations and that dark, pointy vitriol. Plus those strategic ‘break-up-the-game-by-going-down’ rotations. Given the extraordinary profile these guys have, their level of discipline and respect is obviously woeful – not just woeful. This is undoubtedly why the phrase ‘role-model’ has gone from the game – because many of the most central figures are too often an embarrassment.

For me the idea that we need to cut these fellas some slack, because of the intensity and pressure in the game, is cobblers. And ‘passion’ of this sort is not ‘part of the theatre’, (Mr TV Production Geezer), it’s part of the problem. Because, speaking as a sports teacher and coach, I can tell you that young people are influenced, negatively, by what they see. In games lessons – not games! – I have been harangued by kids who cannot accept my fairness and cannot control their emotions. I can think of a young, strong lad who ‘stays down’ for minutes virtually every time he experiences contact. (It’s absolutely hilarious; he will roll and silently fake deep, deeeep agony but it’s also weird… & depressing).

These kids think they are Kane/Sterling/those Gods on the Telly. When it comes to decisions, contention is their kind of default position, not acceptance. They are imagining the cameras, the spotlight, the high-resolution impact and import of this moment.

Let’s re-set. Because there are also moments when the likes of Match of the Day offer a glimpse of decency, social-conscience and intelligence. And may even evidence the care and commitment that can and does come from players – the best of it, away from the limelight. Alexander-Arnold and Wilson impressed me, over the weekend, and they are not alone in giving something back. I doff my flat cap – sincerely. But if we look at football behaviours in general terms, there is an argument that a crucial part of the sportsmanship*, the honour**, maybe even the point, is irretrievably gone. It ain’t coming back.

(For what it’s worth I’m sympathetic to this view, that we compete wholeheartedly, and therefore honestly***, and I register the slippage away with real sadness).

But does this then, overwhelm or preclude all other state-of-the-game hypotheses? No. We may think that in other general terms, football is as good or better than it’s ever been. City under Pep are amongst the most fabulous, watchable sides to have played the sport. Defenders are now more rounded players, more capable players than ever before. (They just can’t defend – lols).

I’m sympathetic to this view, too. Meaning that, spitting blood, I’m being bundled towards another unsatisfactory conclusion, both stylistically and in terms of meaning. The universe now has us where its cheesy, salesy Producers want: between, goddammit, beauty and the beast.

* & **. Yup, I know. Archaic or anachronistic. But also some truth, yes?

*** And yup, I guess I am saying we aren’t competing entirely wholeheartedly if we’re not competing honestly.

Moral Authorities.

Aaaargh! Keane, ‘analysing’, actually uses the c-word – clever – to describe Paquetà’s hideous thirty-foot, spine-distorting dive to claim the pen, for West Ham. Half-challenged by the host, he then adjusts to include the possibility that the player may have cheated, by saying that he’s ‘not saying that he cheated… but’. The hilariously execrable Hasselbaink goes along with him. It’s another depressing moment for this game, football, the playground of #PremierLeagueLegends, and for sport.

We are all Keano, these days. Entrapped by the laws, by VAR, but mainly by a universe where players routinely ‘seek to draw contact’. It may just be an extension of the whole truth-void phenomenon. Trump lost, Truss was let down and Dido Harding was all over everything in a good way. It’s both obscene and o-kaaay.

Paquetà has no other thought than to adjust his feet & body so as to maximise the chance of drawing *any contact whatsoever*, at which point the centrifugal whirligig-thing kicks in, and propels him into the next county. Even live you could see that the defender, fearing his own potential misjudgement, withdraws everything withdrawable, to try to prevent the slightest of touches. He probably or possibly fails. VAR and Keane think it’s a penalty and perhaps it is. But it’s also an obvious travesty.

Can anything be done/should anything be done, about this? Does it matter?
It would seem my appallingly pro-decency view of this is an outlier. But what the hell. I still think that there could and maybe should be some accounting for cheating or deception or cynicism; ideally calibrated to work against its most offensive forms. I do not accept, friends, that it’s okay to set out to (for example) get a penalty. However laughably out-of-touch it may seem, in the face of relentless acquiescence around behaviours that may be lawful but patently awful, I advocate a fightback. Note the cheating – log it and/or tot it up. Significantly publicise the results: in short, call out these Clever Clever People.

Fans know who the cheats are, or what cheating is – even if their tribalism excuses the naughtiness from their players in the moment. Keane knows exactly what Paquetta has done but thinks that the defender was clumsy in the miliseconds before and probably made contact, despite trying not to. Therefore he goes along with the decision. Simultaneously, he think it reeks… and I can live that… because these things are complex.

There’s an acceptance by some that strikers are entitled to seek contact even if they move arms/feet/legs ‘un-naturally’ to achieve it. Others – like me – think both the idea of that entitlement and the practise of engineering contact are shit. A player’s intention can of course be open to interpretation: it’s therefore ver-ry tough to prove that Kane or Zaha faked or dived, but this can be accounted for by intelligent witness and by noting or scoring the transgressions skilfully. So for example Paquetà gets a debit mark for ‘seeking and adjusting to attract contact and obvious exaggeration, with dive’. Or similar. The heaviest and most heinous examples of whatever kind of crap get the strongest response… from our unashamedly Moral Authorities.

In my happier daydreams stuff like this really happens. Weekly reports are drafted and a league table of scheissters produced. There are even penalties – I mean real ones! Not financial, obvs, they mean nothing. Games missed and a certain level of public humiliation. A calling-out.

You with me? 🤨

*Wonders aloud*: would the Premier League pay me & a couple of others to grade matches for Sporting Behaviour (or whatever they wanted to call it?) A wee panel, covering every game; noting miscreants.
Thirty grand seem reasonable? 🤓

We are Town.

The universe conspired not only to keep me from this game… but keep me from watching it. No matter. The sound, holistic thrashing this very good Premiership team delivered to our allegedly ordinary League Two side has the ultimately reassuring ring of some Deep Natural Order about it. Rights righted: qualities writ large. But we were right to dream, and dance, and wave our daft fish about. We have qualities, too, from the wonderful, selfless loyalty of our travelling fans to the next-level, humane intelligence of some of our board. On the pitch, outclassed. Off it, as good as anybody. Hands raised in gratitude and pride: we are Town.

Yes we are. Though we moved away, we are still Town. Not unduly conflicted by living all my working life in Wales, boasting Welsh-speaking kids, working in *another sport*, having grown up not just Town but with Town blood on-board. (Mighty Vic Dodsworth, GTFC 1930-something. All-too-briefly, as it turned out, cos crocked. Wee underdogs Manchester United took a chance on him. But crocked). I can’t be the only one who grew up a Proud Something-or-Other and became a Proud Something-Else… as well?

So from my home hamlet in Welsh Wales I’m absolutely buzzing for my home town’s carnival day. Sure I’m medium-gutted I couldn’t get a ticket, and more devastated for soulbro’s who unquestionably deserved them more but still fell short. But all of us know that it’s dead right that season ticket holders and full members got in there first. (4,600 snaffled before you could say “E for B and Stuart Brace”). The club is doing lots of things right on and off the park; Jason Stockwood’s Administrative Army continue to play a blinder around the ethics and issues of running a football club.

You may have heard good things. My understanding is that Stockwood and the Corporate Posse behind the Mariners *really are* those rare beasts the conscious capitalists. They do not separate football activity and/or ‘success’ from work which supports the community and the environment – meaning the town, not just Town. Sure you’ll hear a few of those rather concerningly workshopped soundbites about ‘passionate’ this and that, but there is plainly a gritty commitment in the club hierarchy, as well as a smoothish patina. What the Guardian termed ‘social entrepreneurship’ does appear to have taken hold in a remarkably positive way: methinks those are not words that might traditionally have been associated with this club and this town.

Grimsby’s been a joke, we know that: one that our friend Sacha B-C tried to turn into something. The stereotype of an ugly, dated, litter-strewn, beery, ‘tough’ Northern coastal town will be hard to shift, partly, of course, because these slanders all hold a little truth. The docks did kinda die, waaay back then, after the Cod War. The ‘flyover’/Cleethorpes Road quarter still speaks to the era of closure and hardship and booze and anger on the streets. Much of the walk in to Blundell Park still feels like the scene for a progressive documentary on football hooliganism. But Stockwood and co are smart, willing and aligned against old failings and lingering prejudice. They want better for the town and understand something about the conjoined powers of sport and identity.

You don’t have to be a football historian to be aware of the ridicu-season that GTFC enjoyed, last year. (Whether you are or no, go dig out the record-books, and look at the journey to promotion). The series of extra-time wins to get to the play-off final was extreme sport: thrilling; shocking; unbloodyprecedented – or it felt that way. I was at West Ham (the London Stadium) to see the Mariners splutter to a win. It felt destined; or like one of those few things that really deserve to happen.

For Town to be in another football epic, so soon after, is both fabulous and bewildering. But it also figures. There is a vibe around the place. They have players. The manager is maybe flawed (this is my own view, from a distance, of his tactical vulnerabilities… but I say similar about Gareth Southgate) and yet also wonderfully true and consistent and even-tempered. Philosophical, one might say – like the hierarchy, perhaps? Things have been directed or they have conspired but in short it feels good to support Grimsby Town. They present, in the modern, media-conscious parlance, like a good outfit. In interview, footballers toe the party line, to the point of vacuity, generally. Town players seem to mean this stuff about loving the club.

But Brighton loometh and Brighton are cute. They’ve played more fine footie than most in the division, this year. And yes, that would be the Premier League. (I’m not a subscriber to the view, by the way, that the Prem is that great: it’s surely more that there are great players than any depth of brilliant teams. Tottenham, for the top four? They’ve been shite, for months!) Brighton are bright and well-coached. They have a compelling (and possibly worrying) combination of pace and imagination. They play with both control and urgency. The gaffer may be at Real Madrid (or Liverpool?!?) before you know it. Southampton, they are not.

In that previous round most Town fans concede that though it was one of The Great Days, Town were poor. The God Of Doughtiness that is Waterfall was strangely subdued and the defence porous or even ragged. The Talent that is McAtee was flat. Even Holohan – who gathered himself admirably to convert the two pens – was unable to do that precious, beat-establishing water-carrying thing. One of the Great Wins was also a weird under-achievement.

In one sense this might augur well. Us glass half-fullers will be thinking there’s so-o much more to come from the Mariners that Brighton better look out. Waterfall really is one of the lower-league gods – absolutely no disrespect intended, he’s well-capable of winning any game, at either end of the park. The keeper, crucially perhaps, is generally solid. Town can play, in and through midfield. McAtee has a wonder goal in him. Plus it’s the cup, the Town fans will be Really Quite Something and let’s face it, it’s a free hit: the fella Hurst is already, if metaphorically, holding the trophy.

The reality and even the coverage will be all about the support. Masses of grinning Grimbarians wielding inflatable fish; for the second time in the campaign, on the South Coast. Heavy mileage, who cares? The overwhelming majority of those in the away end love their home and their club deeply. They are Town.

But look there’s no time for or value in existential guilt about who’s real and legitimate: zillions of us aren’t or can’t be full-on authentic supporters. I follow on the Twitters but rarely get to games because of the 340 miles twixt venues. I’ll be coaching cricket, believe it or not, whilst the game’s on(!) You, meanwhile, wherever you are, could get behind The Grimsby for one day and join in with that woolly stuff. The romance. The feeling that Town can register something beyond football. Go with the daft magic about Harry the Haddock and Harry Clifton (one of our own). Tell your mates that them bloody fish were rainbow trout, first time around. Raise a glass, maybe. The Lads may need us.

The Boy Linaker dun gud.

It’s brought out the Wise People and the utter morons. It’s mind-crushingly obvious and kinda MASSIVE with subtle richnesses. As I write, it’s a massacre, with both the BBC and this, the filthiest and lowest government of my lifetime, fabulously skewered by everyone from Lineker and Wright to the external articulate voices of the centre and the left.

For the plainly compromised Beeb, with its laughably compromised Chairman and Tory-littered hierarchy, this is A Moment. For some years, many of us have been simply unable to trust in (or even watch) the headline news and current affairs output because of the embarrassing luxury of pro-right-wing talking heads or ‘storylines’. One example – and surely history will judge it this way? – has been the responsibility of BBC (amongst many others, of course) for facilitating Brexit and the similarly race/xenophobia-based projects of recent years, by hosting Farage and equivalents disproportionately often. It simply cannot be that he appeared appallingly endlessly by anything other than deep-lying design.

News output remains complicit now, by falling in behind the repugnant #smallboats soundbite. Hosting the ‘illegal’ (but not!) migration of desperate, endangered people as though it was ‘an invasion’ is a travesty of the facts as well as suspiciously helpful to the Tories. (The BBC are using that phrase – that phrase! – routinely, as though there’s no other way to describe it. Almost as though Sunak’s PR team are feeding it in there).

Let’s be clear; this gang of heartless, shameless bastards pushing the immigration agenda are doing it a) because they are evil and b) because they know that in terms of electability, hatred is all they’ve got. For the key public broadcasters to fall in so pathetically behind a patently racist campaign is extraordinary and abominable, making this something of a historic low-point, both in terms of amoral politics and journalistic integrity. Shame on all those involved.

We need to make it explicit that naturally there are people of integrity at the BBC: there will probably be more lefties than fascistic goons, simply because most beings with any level of intelligence must gravitate towards what we might clumsily call liberal ideas. But I’m not going to list yet again the chief influencers at editorial or full-on management level who have either funded the Tories or worked in the cesspit that is the right-wing media. It’s just fact that too many Beeb Bigwigs are not independent or neutral: (this needs sorting). It’s just obvious that the gaffer needs to go, for being in and/or lining Johnson’s pockets. It’s just obvious that because the game is up for the Conservatives, the leadership is going the nasty, red-meaty route.

Gary Lineker is brightish, goodish man. (The Mail, Sun and Express will shortly being trying to contradict that notion by digging out filth upon the fella but that notwithstanding, he has form for being a tolerant, generous human). If you can be bothered to look at *what he actually said* in the tweet that started this furore, you will see that he rather carefully constructed his observation: it’s neither crude nor especially inflammatory. Lineker uses the words ‘not dissimilar’ as opposed to saying that the language of the Tories was actually taken from the Nazi playbook. For me this suggests a degree of thought and care markedly absent from many of the responses. But that’s semantics: let’s get back to the facts.

It’s a fact that this government is deliberately raising cheap, visceral fears and enmities in order to distract from other failings and to focus the public/political agenda on stuff that might be a winner for them. No matter how low, or twisted, or immoral, or untrue. No matter that the ‘crisis’ itself is largely invented. Or that we take massively less refugees than other, comparable European nations. No matter that it’s wrong and inhuman to portray scared, vulnerable people in inflatables or small craft as nailed-on criminals and cruel burdens on the state – as scroungers, or worse.

This is what Lineker is drawing attention to and forgive the repetition but again I’m going to say it’s obvious. It’s undeniable. It’s true. He is saying that our government’s response to these events (or relative non-events?) speak of prejudice and intolerance in a way that makes us think, inevitably, of 1930s fascism. For this is the demonisation of innocents.

It may be dangerous or inappropriate in any context to talk of ‘decent people’, in 2023, but surely all decent people – even Tories – know that the small boats travesty stinks. We must be better than that? As I write, more and more of Lineker’s colleagues are backing his stand. So there is hope, friends.

The bowlingatvincent.com Multinational Corporation Review of the Year – 2022.

bowlingatvincent.com – literary wing of the Protest Channel that is @bowlingatvinny – had a strongish year. (I know ‘cos I just looked back). Except that it accidentally traduced the original purpose of the whole damn enterprise, which was to roar about sport and art pretty much alternately. I may reflect on this.

Of the fourteen blogs during 2022, five were about football. I rather unpicked Wales’s World Cup Adventure, got into United and Ten Hag (v West Ham), covered England’s Lionesses v USA and through their Euros win and watched my home town Town at the Play-off Final. Astonishingly, of the eight zillion opinions and tactical judgements I expressed through nerve-janglingly live coverage of all these occasions, I can – even in the allegedly sobering light of day – find none that were wrong.

  • Contest. And then maybe not? I was dead right that Wales needed to play better and that Bale should retire from (certainly) international football and probably club action, too. Now.
  • ‘Where are Wales? What level they at? Are they heroic over-achievers, in a cruel, more heavily-endowed-with-everything kindofa world? Or what? Where’s the Wales Place, in footballing terms – and maybe the other stuff? Football-wise, are they brave and bold, or are they ungenerous and perverse? Are the ‘limitations’ enabling or stultifying? Where do, or should Wales pitch themselves?’
  • I was right to note with some embarrassment that the USA – not Argenbloodyteena – ‘slaughtered’ Wales in the first 45 minutes of their campaign and that for all the justifiable gas about a rare and wonderful World Cup appearance, Page’s ‘pragmatic’ conservatism disappointed. Sure, Wales have few great talents (so responsible caution blahdiblah) but the endless holding patterns only seemed to undermine both individual performance – no surges; no racing adrenaline for player nor support! – and the essential hwyl that has carried Wales for aeons. It was all a bit lame.
  • I nailed the Rashford Thing and the signs of re-growth, under Ten Hag, in Holding Players. Elanga was similarly *seen* and Fernandes un-picked, en route.
  • …’quality-wise, there was little difference. In the first ten both Casemiro and Eriksen showed glimpses of their rarified best, either threading or spraying fabulous passes into feet, offering real hope that the mythical(?) corner into Team Flow and Sumptuous United-ness might yet be turned. But no’. 
  • In Things Have Changed I trumpeted the stunning transformation in women’s football, in England, and by implication, beyond. Ingerland ‘bossing the yanks’ said it all, after a decade or more where North American soccer all-too-serenely ruled over us amateurish Brits. I noted the ‘supreme equanimity and humour (as well as tactical intelligence)’ of the new gaffer – Wiegmann.
  • More controversially, perhaps, I mischiefed-up the Euros Final, fearlessly calling out relative under-achievement, performance-wise – even in victory – on the day. (Come ON. Don’t you get bored of the faux euphoria that massively over-inflates the *actual performance(s)?* It’s perfectly possible and generally the case that trophies are won in ordinary games by ordinary performances. This in no way deflates the fabulous significance of the achievement).
  • So, in Clickbait? You betcha! I do argue that recent SPOTY winner Beth Mead was one of several who were mixed, rather than brilliant, in an absolutely brilliant tournament win. I correctly identified that presser invasion as ‘the best moment in the history of sport’ and named Millie Bright Player of the Tournament… because she was.
  • Finally – well, previously – I *actually went* to the home of West Ham United FC, to cover the Mighty Mariners. Great day/crap game.
  • ‘It’s absurd in 2022 to use phrases like ‘attractive football’; worse still to associate that with abstracted, rose-tinted community goodness but as I look around the acres of ‘park’ now home to the Happy Hammers, the clash of values, vistas and jazzed-up-verbals is somewhat mind-blowing’. 

The Other Channel, now sportslaureate.co.uk , carried more football but bowlingatvincent.com was always the home for rugby. Life and *things* – like cricket, mainly – have regrettably drawn me away from funny-shaped balls but I managed to post homages to the egg on three occasions.

Despite being a Likely Phoney – male, middle-aged, possibly voyeuristic; at best a flawed dilettante – I watched a good deal of the Women’s Rugby World Cup. It was sensational. England may not have produced to their absolute peak but they have been utterly magnificent – frighteningly, powerfully so – for two years. France are not far behind. And then there were the homefolks.

  • The final, between England and the Black Ferns, had to somehow bear comparison with the semi, between New Zealand and France, which may have been the best rugby match of all time. I wrote rather wryly about the Black Fern’s ultimate, inevitable win; again creating mischief, again misunderstood. England had a player sent off – rightly, under the rules of the modern era. It (the offence) wasn’t malicious and it happened so early that the contest was effectively re-drawn as a training-ground routine. England held-out wonderfully gamely but were done, from the moment of the card.
  • ‘The second half may have been as colossal as the first. It was an exhausting watch, with the defiant visitors floating through chunks of time, before selflessly, heroically heaving against the inevitable. Both sides naturally made changes and inroads. Both scored. But the universe had been shifted. The crowd knew it. England were overhauled, before striking back. Then overhauled. With three points in it, the battered visitors kicked for the corner rather than look for the three points that would bring extra-time’.

I wrote two posts on (men’s) Six Nations stuff, back in February. They stand up, too. One of them channelled both The Mekons and Dylan Thomas: it also morphed into part-coverage of Eng women v Aus, at The Cricket, with ‘Rafters clanging. Sea rumbling’. It’s likely that I was in a caravan, in one of those storms, at the time, so it wasn’t Heather Knight who was fearing airborne adventure. Oh: I may or may not have been drinking.

There were but two artsy posts. One on Freddie Flintoff’s TV caper and the other around the Sensationalists/YBO’s art and lifestylery. I am critical of both… but right… as you will see… if you go back through. I’m really not sure what caused the apparent shift away from The Arts: they remain at the core of my life and my learning. I still believe I have some contribution to make, to reviewing and/or ‘criticism’.

From Sensationalists: people who might convince us: ‘Morons at the Mail, poor or tokenistic arts education and profound levels of ignorance have engineered a situation where we are a) visually illiterate b) suspicious and small-minded and c) too bloody lazy to stand in front of an artwork and let it do its job – beguile us, transport us, challenge us. This, for what it’s worth, is my context; the belief that art matters and that artists carry that privilege of being our conscience with courage and often a deep, deep, incorruptible honesty’.

From The Sublime to…

The unfortunate truth is I felt compelled to write upon multiple occasions – well, four – about the Tories, or Our Government. These are angry pieces.

In more than one of these blogs I savage Johnson and regret not a word of it. Plainly he is the worst Prime Minister of my medium-considerable lifetime. In A Christmas Puppy? I almost dare to bid an un-fond adieu.

‘So could the Age of Embarrassment finally be over? Might the Bumbling Buffoon, the Etonian Mess really be done?

It’s possible. In a characteristic veil of porkies and shameless, conscience-less swerves between the reported fact, his Urgent Gatherings and the forbidding fridges of a life lived in cosseted anarchy, Johnson really may have spent himself. It’s possible. The lies and the deceit and the vile uncaring will of course go on, endlessly, but it may be that his time in the Real Spotlight is over’.

I am content, foolishly, perhaps, to judge him morally as well as describe his practise, which has brought chaos, death and shame to an increasingly grubby kingdom. There is surely a kind of Shakespearian wickedness, an epic foulness around his skiving off from the first five COBRA meetings, in a world emergency, in order to a) sort his ’women problems’ and b) finish writing his effing book. This is un-caring – not needing to care – on a truly appalling level. It’s absolutely him.

So I’m fuelled with hatred and contempt, for Johnson and his thin acolytes. There are dishonourable mentions for the whole filthy clan: Mogg; Truss; Kwarteng; Hancock; Cummings – and by implication for the quietly grotesque hinterland, into which the likes of Dido and Mone hope to disappear. They appall and offend me, as does the xenophobic Brexit catastrophe and the ongoing, raw corruption across those VIP Lanes, corporate favours – particularly the gaze-averting re our scandalous water industry – and the whole, humiliating House of Lords gravy-train.

My dismembering of the Tories is less forgiving, less funny than (say) Marina Hyde’s – deliberately so. I fully accept that driven, polemical writing of this sort may contribute little to the task of ‘turning things around’: but forgive me if I simply bear honest, angry witness. Despite the fact that nobody’s paying me to do this, it does feel like ‘my job’. (Plus lacerating hostility may not necessarily devalue the writing).

The year, then. Set in a matrix of an Ingerland that feels like it’s unravelling further – or at least the brink seems closer.

Thankyou to all who do read. Regulars, who may have a sense of how ‘niche’ I remain, will understand that there are times when I am tempted to either give this malarkey up, entirely, or to further streamline, by gathering all the writing and twittering into one place. This may yet happen, but might curtail my ability to speak the truths I want to speak. We’ll see.

Anyhow. Please do continue to visit the two websites and, if you would, RT on the Twitters – that’s oxygen, for us bloggists. In case you’re wondering, if energy permits, I hope to produce a sportslaureate.co.uk Review of the Year, too.

Love and heartfelt thanks to all: have a wunnerful New Year.

              Rick.

Contest. And then maybe not?

Where are Wales? What level they at? Are they heroic over-achievers, in a cruel, more heavily-endowed-with-everything kindofa world? Or what? Where’s the Wales Place, in footballing terms – and maybe the other stuff? Football-wise, are they brave and bold, or are they ungenerous and perverse? Are the ‘limitations’ enabling or stultifying? Where do, or should Wales pitch themselves?

These and more LIVE QUESTIONS lie resolutely unanswered beneath… in my live blog from Wales v Iran.

I note to the universe the wonders of the human eye. Because the eight zillion pounds a pop cameras covering #Wales #Iran are plainly battling against the glories of the light. (*Insert smart-arsed Dylan Thomas gag, here*). The stark incredi-contrast between bright and mercifully shaded areas of the park are almost too much for mere, space-age technology. But the Beeb Camera-people and the rest wrestle on, manfully.

Wales start well, disappear for ten minutes then Moore should score from a curling cross from the right. Not clear if he really is hurt by the defender’s boot or whether he’s just lying there, mortified. In a (rareish?) moment of clarity and brevity, the commentator on said channel pronounces this a ‘contest’ – and he’s right. Encouragingly.

Iran have hoisted a ball or two longish, early, to expose the Wales centre-backs turning-circle. It nearly works and it’s an interesting, perhaps counter-intuitive tactical ploy.

On fifteen minutes the whites ‘score’… but the onrushing attacker has rather poorly gotten ahead of the ball. Clearly off: a ‘you had one job moment’. Alarming, though, for Wales – the opposition already looking like they will register. Bale is mildly contacted in the fizzog by a loose but unthreatening arm. He rolls theatrically to the floor, just on the off-chance that the ref might produce a red. Gaz may be a god… but that was cheap as chips.

Twenty-five minutes in and Iran are marginally the better: they aren’t remotely slaughtering Wales in the way that the USA did, in that extraordinary first period of game one, but they have more controlled possession and do look more threatening. Marginally. Then Ramsey is looking a little more influential, which may augur well in terms of establishing rhythm and a level of ease with the occasion. The game is tense but rather low-key: there is space to play but not enough quality, from either side, to string multiple passes together.

Again Iran go long. Understandably. They have plainly identified a weakness in the core of that Welsh defence. Suddenly, one-on-ones look a danger. Rodon and Davies have both had to scramble. But Wilson responds, finding Williams in a luxury of space on the left of the Iranian box. Unusually for the flying full-back, his touch is poor and uncommitted. A real opportunity is wasted.

First corner on 42 minutes: Iranian keeper claims. Already that feeling that both sides are prepared to accept a Phoney War, in the knowledge that this will become unacceptable come the (what?) 75 minute-mark. A draw really not likely to be enough for Wales: however much they protest their lack of fear for England, Southgate’s side are significantly superior. The Page Posse must therefore look to bank some points, here.

Iran are probably less good than the USA, but they will feel that a win against Wales offers some hope for going beyond the group stage. They will consider a draw in that final game entirely possible. Four points might take somebody through, especially if England go through the group with three victories. All of which brings us back to notion that both sides must look to win this fixture – despite what coaches, captains and fans might say, should this turn out a draw.

At the half, a draw seems likely. Just before the break, Iran came close to breaking the deadlock after a controlled move down the right finished with a smart, curled cross that Rodon just managed to shepherd away. A critical view of Wales might be that again they have failed to retain possession or build attacks. Against Iran, the weakest team in their group. For all his inspiring brilliance, Bale has again been quiet. He may be a past master of finding or waiting for His Moment but another view of this is that he is simply not offering enough.

Palpably, Wales have limited playing resources – even acknowledging that this group has more players who can genuinely live/compete at international than any Welsh side for many years. They have lived off team spirit and occasional flickering moments of genius or high-level execution from their skipper for aeons. Now the captain has again to deliver, not just in terms of snatched goals – although manifestly that would ‘do’ – but by playing well, influencing the pattern of the game. Ditto Ramsey, the other player of high (if faded) quality. Wales needs more than the occasional miracle: they need to play better.

We kick off. Again neither side presses hard, so there is scope to gather and get your head up. Iran’s defensive shape looks to be holding, with some comfort, any Welsh incursions. The reverse is less true.

On 51 minutes Iran ‘must score’ three times. They burst clear on the right, Azmoun beats the keeper but the ball clatters back off Hennessy’s left-hand post. Within seconds, Gholizadeh belts his right-hand upright, with a fabulous, curling, left-foot drive which rebounds out to the diving centre-forward, who nods into the keeper’s chest. Barely credible. A real surge, now, for Iran. Perhaps the single-most concerning period of pressure, for Wales.

Page must be concerned but he has no choice: despite being in trouble, he must throw on attacking substitutions. James and Johnson, for Roberts and Wilson.

The flow remains with Iran. An hour done, and for the first time I’m thinking Wales win this 1-0 with another Bale against-the-grain intervention. Iran have another gear; are zestier, more energetic, more ‘likely’. They deserve to be ahead. Perfect territory for a Gaztastic heartbreaker.

Azmoun – who has been excellent – retires, looking exhausted. Dan James does that thing where he looks to have gained a crucial yard but fails to deliver. Wales do have real pace on the park, now, at least.. but will either Johnson or James have the composure to convert… or produce the gift that Wales so desperately need?

Hennessey has to save a slightly scuffed shot, diving to his left. Corner and more pressure. Then another. The keeper has to punch clear twice. It’s ‘all Iran’. They make a triple substitution on 75 minutes. Allen replaces Ampadu, for Wales. James finds another blind alley. It’s feistier, maybe scrappier. Angst is rising with the tightening of the time. Bale fails with a rather indulgent flick: it’s almost certain the guy’s playing hurt but he’s made no meaningful contribution and his side have been second-best – not overwhelmingly, but without question second-best.

Finally Wales produce an encouraging passage of play. James crosses long and loopy. There is a some teetering -on-the-brink before Davies is teed-up. He smashes high.

Then the Great Moment of Drama. Iran burst clear and Hennessey clatters the attacker. Has to be red – initially yellow is hoisted. The referee, rightly, is hauled over to the monitor and forced to correct. There are only a handful of minutes remaining but Wales remove Ramsey to sling in the replacement keeper, Ward.

It’s time to get behind the sofa, for the watching Welsh. Into the 90th minute but there will – of course, at #Qatar2022 – be a lump of added time. Even with ten, Wales still have to look for a win. (Repeat, no matter the traditional Welsh defiance towards the English, (and the possibility they might beat the enemy over the bridge) this is the game they have to win. Iran have looked waaay more likely to win, in this second period in particular.

Iran, however, possibly lack that killer instinct – they’ve been good, but not clinical. They are now looking a little tetchy, which is unlikely to help. Wales even have a sniff… but no. It’s all gone a bit Headless Chicken.

There are nine minutes of added time but they are largely scrappy. *Until*…

Another Iranian surge. In the 98th minute a fine right-footed strike from the Iranian number 15, Chesmi, from twenty-seven yards, finds the bottom corner. Ward may get a fingertip on it but in it goes. Finally, something to roar about: the stadium obliges. All those fans, many of whom openly wept during the forced sing-song that was the Iranian national anthem, pre-game, are jumping/screaming/bawling again – only for joy. What a sight, what a sound.

We’re not done. In the 100th minute the lead is doubled, with Wales cut brutally open. It’s one of those cruel breakaways that tends to happen when a team is left with no choice but to ‘gamble’, recklessly. Iran don’t care: Rezaeian scores after the space has opened, with a cute dink over the goalkeeper. Devastating for Bale, Page – for all of Wales – but they were beaten, as it were, on merit.

Following morning. I wake up with the strong urge to note something further about Gareth Bale. It’s simply this: that he will probably retire from internationals, after the England game. (This of course on the assumption that Wales go out of the tournament – which I fully accept is not a given. But it is likely).

Bale really is a god, here in Wales: truly loved and adored by both the Proper Fans and the Folks Who Ain’t That Bothered About Football. This despite him being a rather undemonstrative sort, personality-wise. And in return he gets that special thing about Being Welsh… and has delivered both on that and on the park – largely because of that inspiration. Bale loves Wales.

Know what? I’m thinking now that if he does sign off, there may be a post to write. ‘T will, be lost, as per, in the other zillion but maybe I’ll return to this. So enough, for now. Except to say that in my view Bale is ver-ry close to being completely shot, as a player, now. On the one hand it’s clear that playing for Wales has been the real driver behind his football for the last several years: he’s hobbled through in order to play in red at the Big Events. Now I think he should stop.

Done

Gripping and yet from an English (and possibly a World Rugby Community) perspective, gallingly predictable. New Zealand – the Black Ferns, on this occasion – win the World Cup. Meaning there is scope for conspiracy theory as well as joy.

England’s winger Lydia Thompson was removed from play in the 18th minute, for a ‘head-on-head’ challenge. The TMO, belatedly, reversed a line-out call, in New Zealand’s favour: he was correct but plenty folks were wondering if that level of scrutiny would have been applied, had the situation been reversed… and this not been a notably feisty Eden Park. Forward passes may have been missed.

Red Rose supporters may not be alone in resorting early to “what if”s or “yeh but this is what you get”. I barely know a Wales fan who doesn’t routinely suspect special privileges for the All Blacks. Acceptance of their utter brilliance is universal: disquiet around bias is medium-widespread. But hey; this kind of nonsense fuels the game, eh?

Few would dispute the veracity of the Thompson decision, in the contemporary game. The referee was calm and clear; pundits agreed. However there may be some merit in the argument that Simon’s tackle on England’s other winger, Dow – which drew a yellow – was marginally more dangerous. Neither were malicious or entirely wild but the Black Fern *may have gone in* with a smidge more concerning pace and something closer to carelessness. Whatever. This was a febrile blockbuster of a match.

England, unbeaten in thirty, had started as though they might destroy New Zealand. Two early tries and phenomenal execution by both flyers and undeniable earth-crunchers. The Red Roses have been squishing less physical teams, with organised forward play the like of which the women’s game has never seen. We saw some of that. But the England handling and running was also ominously good – incredibly good, given what was at stake.

For maybe ten minutes, the wall of sound and fury within one of the most intimidating stadia on the planet, was shredded. On Eden Park, the team in black were getting absolutely monstered… and in such a way that fear and capitulation from the locals seemed a live option.

But no. The Black Ferns responded with characteristic flair and no little ooomph. Tries were traded – there was an extraordinary sense that even with two outstanding defences on the pitch, both sides would score with every attack. It was a feast. The break saw relative parity, at 19-26.

Most informed neutrals might begrudgingly concede that the best side in the world – England – are the only side in world rugby who might possibly beat the second best side in the world – the Black Ferns – one woman-down. But do the math. Thompson gone in the 18th; meaning 62 minutes of that cruel chasing game, against one of the best and certainly the most fluent and creative side on the planet – New Zealand. *That moment* was everything.

The second half may have been as colossal as the first. It was an exhausting watch, with the defiant visitors floating through chunks of time, before selflessly, heroically heaving against the inevitable. Both sides naturally made changes and inroads. Both scored. But the universe had been shifted. The crowd knew it. England were overhauled, before striking back. Then overhauled. With three points in it, the battered visitors kicked for the corner rather than look for the three points that would bring extra-time.

In another game, with fifteen staff on the park, they may have chosen differently – or not. England’s line-out and driving maul had been literally irresistible, even here, even tonight. So one more?

Maybe that call spoke of their understanding that the fates were closing in: that more game-time would be a cruel, one-way torture. Best get it done. Kick for the corner, catch and drive. 34-31 the score; the clock about to go red.

The Black Ferns spoil the line-out. In a great, visceral, joyous, tragic roar, we are done. England, bounteous England, brimming with players and investment and Serious Intent, take a lot of credit for dragging women’s rugby into a spectacular, professional age. But it’s New Zealand, the side more inclined to endless adventure, who take the trophy.

Who else… and how?

Whoopeedoo. Our friends at AOL are reporting that the unseasonably warm weather in October has probably saved our glorious government 260 million smackers: monies that would have gone out to the Great (Undeserving) Unwashed to cover heating costs. Rishi and the team will no doubt crack open a coupla bottles of something half-decent to celebrate.

I may have missed the stories about how a #WindfallTax on the energy giants – plainly a legitimate, popular and equitable solution – would have fixed this particular inconvenience. And I may have been distracted when the unanswerable arguments for taxing the super-rich were pumped out, along with the other urgent stuff about Strictly, Meghan’s make-up and the new Three Lions vid. Forgive me for being so lax, you AOL-peeps.

260 mill is obviously a smidge of a deficit – or bonus – when we do the Whole National Math. (I get that most of us never do and are indeed ill-equipped to do the Whole Math, but yaknowhattamean?) Even dumbos like me understand that the Brexit-sized, post-Truss-&-Kwarteng-sized hole we’re in is a fucking monster. Interest rates, food prices, fuel going or gone scarily up: political choices heavily squeezed. A time for good, responsible government.

Fat chance. Rishi may have rather skilfully been positioned as the gentleman-who-knows-what’s-good but with his personal powerbase and charisma negligible and his party still in the throes of a weird, exceptionalist and deeply nasty ideological mud-wrestle, sustained careful steering seems unlikely. Sunak (the Impossibly Wealthy One) may have a wee bit of credibility amongst those gullible enough to associate his working experience with financial competence but he’s also, patently, another obscenely privileged toff. The plebs may easily turn.

The PM does have the advantage of not being as crass as Truss and Kwarteng. He’s less noisily, stupidly strident, ideologically, and probably less stupid, all-round. He will allow himself to be guided, to be considered, you suspect, in a way that his predecessor and her oddball Chancellor shunned. They were consumed by a sharp, masturbatory, Tufton Street-curated frenzy; Rishi is too well-groomed, too self-aware for that. He’s quietly mad – Freeports, hedgefunds, that depressing ease around Market Forces – as opposed to barking and under-equipped, like Liz and Quasi. Despite the pitiful incompetence of a succession of Tory governments, Sunak is likely to seem okaay… and to close the yawning gap in the polls, over time. Incredible-but-true.

‘People’ (or enough people ) may forget Partygate, Dido H and the systematic looting of the Covid resources. Despite both being offenses of a contemptibly filthy nature; despite that almost shocking, ‘un-British’ stench of corruption and deceit. Some are already either forgetting or have been consistently beguiled by the amoral clown that is Johnson: let’s put it on the record, the worst and most grotesquely shallow Prime Minister ever to have smooched with the dispatch-box. It will be fascinating and probably cruelly depressing to see how ‘things settle’, in Sunak’s favour, as the various oven-ready catastrophes fade into history.

Large swathes of the media will obviously either make it their business to distract, or somehow acquiesce to the endless protection of the great families, the shadowy elite, the Establishment*. Johnson and Harding are unlikely to face justice. The roster of palpably hopeless and/or careerist Ministers of the Realm escaping scot-free with a pay-off will be noted but then slung in the chipper with the rest of the old news stories. Politics of a sort will resume.

This may be a difficult period for Labour, depending upon how the execrable mob still labelled The Government can handle the next few months. Starmer has, understandably to some extent, been a non-protagonist throughout the chaos: no doubt advised that it’s wiser to keep his counsel re- Brexit, immigration, even the modest redistribution of wealth. He’s both failed to lead – been a kind of silent passenger – and chosen not to. Some of us find that abdication-by-focus-group depressing and unwise. Not only does it feel a dereliction of duty to allow politics itself to become bland to the point of meaningless; it also deprives the country of hope.

When a succession of appalling Conservative governments shamelessly and endlessly allude to (and deliberately conflate) race/immigration/’invasion’, dragging the discourse into the swamp, it must be the job of the Opposition to oppose, articulately and with moral force.

Currently Braverman is an obvious national disgrace – as was the Johnson/Cummings campaign before her – with regard to that lowest common denominator, racial signalling. Sadly, bigotry, so heavily supported in the national press, appears to draw as much positive agency as revulsion. But people understood that there was something powerfully wrong about Partygate. Then something cruelly cynical about unlimited bankers’ bonuses and tax-breaks for the rich. So there is a measure of decency out there. A Labour Party that proudly champions things that are right and just and explains the rationale in terms the population can understand is a) fulfilling its purpose and b) (probably) grabbing hold of the political narrative.

Those of us who sympathise with the centre-left understand Starmer’s cool determination to win. We see the barriers. We suspect, however, that any movement needs leadership; that if Sunak gets a smooth ride – remains essentially unchallenged – things will conspire towards restoring a general faith in Tory competence, however ludicrous that may seem.

A final thought. With philosophical discourse drowned beneath either a general disillusion or the acidic rants of the Twitterverse, there is a worrying vacuum. There are dangers here, which bots and Press Barons might be/have been quick to exploit. On the plus side is there not the possibility that a single individual with manifest decency, integrity and appeal (horrible word but…) could transform this vapid/wretched environment?

If any one of the progressive parties could find such a voice, in such a void, surely people would fall-in, and an Alliance Against Xenophobia and that other Nasty Stuff might begin to heave us all back towards civility and a certain level of social justice?

You may (I hope) have names in mind and agree with my good self that this feels like a job for some cross-party cooperation? Beyond Labour I can’t help but think that in Sturgeon and Lucas – very much ‘for example’ – we have people who could make a contribution.

But who else… and how?

*Some folks argue that the likes of Johnson, Rees-Mogg, Truss, Farage, even, are too right-wing, too bursting with fervour to be of the Establishment. Cobblers. They are all cosseted, all protected; they all reek of money, exceptionalism and privilege.

Pic (I think) is from Spectator, Australia. Forgive me if wrong.

Holding players.

So United, then. One-nil winners against a West Ham side who pressured hard and may have deserved an equaliser, late-on. Rashford’s exhilarating goal with a rare, committed thunk past the keeper being ‘the difference’.

But quality-wise, there was little difference. In the first ten both Casemiro and Eriksen showed glimpses of their rarified best, either threading or spraying fabulous passes into feet, offering real hope that the mythical(?) corner into Team Flow and Sumptuous United-ness might yet be turned. But no. Casemiro looked statuesque and composed at times, and Eriksen was goodish and as central to any football as anyone, but this was again a relatively disappointing scramble.

Up top Ronaldo continued to seem shrunken in every respect: playing in a different game to his alleged partners Elanga – who again looked like a reserve team player thrown in during some flu epidemic – and Rashford, who only fitfully raised the hopes of the home support.

How the universe wishes that Ar Marcus could really blossom! From this occasionally wonderful, pacy, watchable, worthy local lad into the full package – the genuine United-level striker. A power header and a run or two was again not enough to convince. He was the pick of the strike force but Gary Neville’s Man of the Match Award was staggeringly generous; another sign that the universe *really does* want him to do well.

Rashford has a lot going for him; given that pace, dynamism and his substantial experience, you wonder why he remains so ‘up and down’. And if that wastefulness and inconsistency will always suppress his value to the cause. I fear it may: that he will always alternate between boyish profligacy and eye-catching vim. Cruel. Elanga was rightly withdrawn: the team had played poorly but he looked a misfit. Ronaldo barely had a meaningful kick.

The generally fair and frequently insightful Neville pointed out that a United midfield of Casemiro, Eriksen and Fernandes is a statement of culture and belief, from Ten Hag. Belief in quality, artfulness and in direction. They are all positive, creative players, essentially, in there to control possession and develop threat, as opposed to stem the flow from the opposition. (O-kaay, Casemiro has been holding but his lack of pace and inclination to bite marks him out as a passer – a ‘player’). This relates to both the manager’s (Dutch, Total Football-tastic) worldview and the United Way. It may not be ATTACK ATTACK ATTACK but it IS forward-looking and kinda generous.

Fernandes has now had a sustained dip in form. He’s become irritating and irritated; unable to flash even short passes to their target; easily distracted into verbals and resentful of every perceived injustice. Energetic, yes, but now mouthy and weirdly inconsistent. Battling against his previous: that notion that he is (or was) the King of Old Trafford, Playmaker and Leader of the Surge.

West Ham, particularly in the case of the consistently excellent Rice, stymied United’s rhythm. The Hammers often looked better with the ball, in fact, or at least had relatively convincing spells of possession. What the visitors couldn’t do was create clear-cut chances. United again could rarely string more than about five passes together without handing the ball back to the visitors; meaning the match was largely mediocre.

Dalot and Martinez were MU’s best players; both intervening aggressively and decisively throughout the game. The latter is likely to be a much-loved fixture in the side for some years, I suspect, for his hearty indomitability. De Gea looked solid. Maguire did ok, strolling around in that particular way of his, but there were moments when the heart of the United defence seemed about to unhinge and some of this seemed to be about his positioning and generous – that is to say trawler-like – turning-circle. (I may traduce the fella. But that wholly admirable composure on the ball does feel compromised by his capacity to find himself exposed). Varane and Martinez will be the first-choice partnership, in a four, surely?

The manager spoke well, after the event. He’s not sugar-coating the amount of work there is to be done and he plainly has the Ronaldo issue/ego in hand. The world superstar has clearly been emphatically bollocked for his recent petulance and knows now he will not walk into (even) this misfiring side. The expectation must be that he will go, on receipt of the first decent offer – go or retire.

For the second time in a week, Ten Hag felt compelled to shut up shop, as West Ham dominated the later stages. McTominay and Fred are a ver-ry different combination to Eriksen and Casemiro: in short they are nowhere near as good… but the gaffer hopes they might do that manning-of-the-hatches thing. You could see McTominay working in a rampaging United side – a Fergie team – as the tenacious clatterer behind inspirational flyers, but his DNA is closer to Celtic or Rangers than Man City or Bayern. He may survive if United inherit a new clutch of irresistible forwards: if they don’t (or Sancho/Rashford/Anthony continue to underachieve), the tall Scot will remain a squad player, on merit. Or go, possibly, alongside his fire-fighting Brazilian comrade.

A cold view of Manchester United might be that this mighty club still has too many players unworthy of the badge. Too many who look like Academy players-plus, journeymen, or guys who simply lack the mentality to live at that level, in that shirt. The manager appears to have a handle on this and is gradually re-building. He knows what they lack and has the authority and strategic intelligence to nudge this intimidating project towards authenticity and contention. West Ham are a well-organised, mid-table outfit with minimal cutting edge. United just about held out.

A Christmas Puppy?

(An apology: the last thing I wanted to do is to make everything ‘all about him’ again. But the reason I do that is because I really do have some hope that this really might be it, for Johnson – an ending. I’m not optimistic about a Sunak Premiership, however short, what with likely roles for Braverman and other Nasty Party rightists but there would be some satisfaction at the thought that BJ’s time was rather unceremoniously snuffed-out. Let’s hope that proves to be the case).

So could the Age of Embarrassment finally be over? Might the Bumbling Buffoon, the Etonian Mess really be done?

It’s possible. In a characteristic veil of porkies and shameless, conscience-less swerves between the reported fact, his Urgent Gatherings and the forbidding fridges of a life lived in cosseted anarchy, Johnson really may have spent himself. It’s possible. The lies and the deceit and the vile uncaring will of course go on, endlessly, but it may be that his time in the Real Spotlight is over.

Rees-Mogg’s insipid declaration of confidence proved as thin as the man himself. His ill-matched bedfellow (the lard-arsed one) never, ultimately stood, preferring to come over all ‘tactical’ until defeat slapped him in the kisser. It’s widely believed that the 102 MPs were as genuine as de Pfeffel’s protestations of love, and that Johnson’s toying with politics may now be short-lived. The good people of Uxbridge have barely seen the former PM, what with all the foreign holidays: they are unlikely now, to be graced by long-term service – nobody (but nobody) gets that.

Boris doesn’t do contributions of this sort. Ever since Eton, his singular egotism has blinded him to the whims and needs of the un-Boris. Surely the whole charade that is his life has been a kind of gristly reflex towards the destiny that family and place had promised? Masses of fame, masses of moolah; fawning women and footmen a-drooling. The irresistible fact, then, of Great Office (briefly) precursing comely adventure, from exotic break to highly-remunerated Public Speaking Engagement. In so far as Johnson is capable of planning ( I think in his case these things tend to be assumptions), this has been The Plan. Tick the big juicy boxes, proffered by happy circumstance towards one; reap the rewards.

Much to its shame, the universe has provided. Women got on their knees, blokes laughed at the ‘quirkiness’, folks voted, presumably out of that feudal inferiority complex that defers to Them Who Know Best: yaknow – the toffs. Silver Spoon-dom; Eton; Balliol. Boom.

Even having the Most Embarrassing Father In History somehow failed to work against him. Five missed Cobra meetings; patent corruption and murderous incompetence around Covid planning and response; relentless extravagance and grotesque indulgences within Downing Street itself (largely at some mindless but presumably mortified sponsors’ expense). None of this seemed to register against; except, perhaps Partygate.

Finally the clowning seemed unfunny. Enough of the ordinary Mail-reading psycho’s felt a twinge. There was a cover-up, there were further blanket untruths and omissions but even without a Kuenssberg or a Peston Revelation – like how could they not know? How could they not have personal experience?!? – Partygate stank the place out. People could smell it. That whole culture of taking the piss, of being superior, of not needing to care because the rules just don’t apply… leaked out. And there was no other place for that to be centred than on B J.

Boris, we all knew, had been guilty all his life of believing in his divine right to indulge, freely and without conscience. But now it was obvious this included during lockdowns. Whilst we were – whilst the Queen was! – behaving or making cruel sacrifices for the common good, Johnson and co were popping the corks. We’re not so foolish as to believe they will ever be truly held to account… but we know they were guilty of this. That transgression landed. Shockingly, a miniscule number of Tory MPs acknowledged the nature and the heft of the betrayal and the Opposition seemed – appallingly – unable to call out the great sin of the age. But it landed enough.

This is why Boris was unzipped; disowned by 60-odd MPs, ultimately. They finally found safety-in-numbers and finally called him out. Now his unseemly bundle back has been stymied. A last porkie – 102 supporters, lols! – waived in front of a gullible press. A phone call to Mordaunt to schmoozle her into backing down. But nope. That old magic has waned.

Sure there were a few spineless cretins calling him ‘boss’ right until the end. Some actually believed there was a future in it – a Boris 2. But it’s likely now that neither those hand-relievers nor the Press Barons themselves can keep the Johnson delusion afloat. The bloke’s still under investigation – and again whilst natural justice on the matter is unlikely, ultimately to be enacted, I’m guessing now that (hilariously, finally!) enough Tory MPs view him as a serious, short-term risk to the party’s credibility.

It may be possible that lots of people would, if given the chance, still vote for the Big Dog. But a sufficient consensus has arisen, within Westminster, to keep the unkempt beast chained. He may yet become, in political terms, at least, a Christmas Puppy: loved briefly then ‘too much trouble’ – forgotten.

Alexander Boris de Pfeffel Johnson, born New York. Made for life, of course. Will flit from speaking gig to courtesy holiday. Will play the jester and delight those predisposed to crawl. Never, actually, a serious political figure: now, quite possibly, ‘over’.

Sensationalists: people who might convince us.

I have covid, and maybe some of that ‘brain fog’ so this may be foolish on all kinds of levels. But I want to write something about modern art and I have just watched Saatchi, Hirst, Emin & co on the tellybox.

Let’s start with a wee bit of credit. BBCiplayer Arts is a treasure trove; one which I dip into regularly, especially when that What’s On, Bruv? moment drops. (There’s always something on the iplayer).

More rank positivity: it’s my opinion that the overwhelming majority of artists (yup, even contemporary ones) work with a huge amount of integrity and even honour. They ask the Big Questions for us and almost without exception their work is deeper, better and more multi-layered than we perceive. Broadly, we chronically undervalue what they do.

Public understanding of and respect for modern art is generally an embarrassment, reflective of the stupidity and bigotry of (for example) The Daily Mail – which unsurprisingly features in the 3-part series.

Morons at the Mail, poor or tokenistic arts education and profound levels of ignorance have engineered a situation where we are a) visually illiterate b) suspicious and small-minded and c) too bloody lazy to stand in front of an artwork and let it do its job – beguile us, transport us, challenge us. This, for what it’s worth, is my context; the belief that art matters and that artists carry that privilege of being our conscience with courage and often a deep, deep, incorruptible honesty.

I’m happy to out myself as some kind of enthusiast rather than a bona fide expert. I watch and read about art and even Theories of Art. ( I know, weird). So Sensationalists, a series about Young British Artists/that London scene, whilst not necessarily being top of the list, was always going to get a look.

I found it relatively disappointing. The subtitle ‘Bad Girls and Boys of British Art’ maybe didn’t do us any favours. It wasn’t entirely cheap and headlinetastic but the casual clumping-together of two very different social phenomena – punk and the dance/rave scene – was just one example of rather lazy inference. Those warehouse parties were all bout loved-up escapism. Punk spat at the politics of the universe and the depravity and (yes!) immorality of capitalism/the Music Bizz.

I’m not sure if any of the YBA were punks. There was subversion, yes, of the laughable Arts Establishment and there was lots of punky mischief. And of course that whole being on the lash thing smacks of ‘edginess’. But the utterly central role of Saatchi and (some of) the artists’ complicity in both the rather shameless hedonism and ultimate gentrification of parts of East Landun do ask questions. Whilst respecting that right and even imperative for artists to ask those Big Questions, might we ask why much of the YBA cannon is apolitical? (Cue the arguments for it being ‘bigger than politics’)…

Hirst is a fascinating man. Perverse, savvy, brilliant and possibly lost. I may need to look harder at the whole of his output because it’s ver-ry easy to conclude that his obsession with the business of art is a joke that only needed telling once. I really don’t want to traduce him so let’s put on the record the signature contribution – telling, shocking, reverberating, truly powerful works of art. (You know which ones). Installations which announced something new and did transform a feebly necrophiliac industry. But, in the absence of a killer interview or similar, and with the sense of potential wankerdom looming largeish- Groucho Club Laddism, endless wealth-gathering – what are we to make of him?

My default position remains. That shark/those cattle were profound.

Sensationalists is okaay and I recommend you watch. Understand we need Popular Arts Coverage but I wanted and think the seismic lurch into scary, conceptual art required some elite-level voices. (They don’t have to, obvs) but many wonderful artists talk or write spectacularly about art, or their work.

A recent doc on Munch and Emin utterly vindicated the latter as a Serious Artist. Her real, human messiness and her cheapish, temporary East End Squat-zone Posse mischief rightly got an airing in the series but, interestingly, pretty much the only Brilliant Mind on display in Sensationalists was Jake Chapman. (I know – FUCKFACEs!)

Emin can talk. Chapman can plainly talk. Given the poor understanding abroad for the leap into Art of Ideas, we needed more articulate people. People who might convince us.

Things have changed.

(Pic via Daily Mirror).

First half and it’s England who are bossing the Yanks. Wow. Yes, those Yanks, who’ve been light years ahead for a decade. But suddenly – or is it suddenly? – things have changed.

The change of regime has plainly been a factor, here, as is the inevitable turning of the talent cycle. England *do* now have a clutch of ver-ry good and very experienced players who are playing, for the most part, in a Women’s Super League that is almost unrecognisable from the division of even a couple of years ago. The environment, the context has surged electrifyingly forward, skill-wise and particularly in terms of composure – just watch the matches on the tellybox. The subtle movements, the retreating into space and opening-up of angles is so-o much more sophisticated than it was. Bright, Greenwood and Daly have all transitioned from relative journeywomen to relative ball-players.

Wiegman must also take huge credit. Not just for the delivery of the first major silverware since the age of the dinosaurs but also for the cultivation of a high level of execution. And consistency. And ease, at this elevated parallel. England were nervy and ordinary as recently as the early stages of the Euros but the gaffer’s supreme equanimity and humour (as well as tactical intelligence) was surely a major factor in the development of a more fluent, confident side. A side that floods forwards relentlessly and fearlessly for 40 minutes, against the United States of America.

It’s 2-1 England, at the half, after Hemp bundles in and Stanway slots a pen. The England midfielder had earlier dwelt criminally, if momentarily, on a weighted pass from Bright that she simply had to biff away, first touch, under the imminent challenge. Instead she tried to ‘do more’, was caught, and the brilliant Smith cracked home. VAR may have robbed the visitors of their second equaliser but the home side deserved (if that’s even a thing?) their lead.

After an old-fashioned bollocking from Ted Lasso – I jest, of course, though a) they, the U.S. needed it and b) he was knocking around – the Americans turned up, post the interval. They were better, for 20 minutes. The game and the stadium quietened. Or it started to moan more, at decisions, in frustration.

Kirby – who has been on the margins – is replaced by Toone. There has been an absence of heads-up football. That sense of potential reality-check (for England) builds. Rapinoe comes into the game, without exactly influencing. Both sides make errors as the frisson, the contagion develops. Toone gets tricky *with a view to drawing a pen* but the ref rightly waives away. The pitch appears to have shrunk, or players are somehow less able to find and revel in space.

In recent days, there have been serious revelations about widespread abuse of professional female players, in the States. A horrendous, shadowy narrative that we can only hope will be shifted towards justice and resolution by powerful voices in the game such as the now-veteran American playmaker (and public/political figure) Megan Rapinoe. Tonight, on the pitch she again stands out, but more for her strikingly purple barnet than for any of her *actual contributions*. The movement is silky and assured but the effect minimal. Even she can’t string this thing together, entirely.

Stanway symbolises the whole drift by easing with some grace into the red zone then clattering agriculturally wide. The standard of officiating drops in sympathy with the play. Having emphatically and instantly given a penalty, the ref has to concede that the backside of an England player is not the extended arm she presumed it to be. In short, a howler cleared-up. There are multiple subs – this is a friendly, after all – and the (on reflection) ultimately below-par Rapinoe is amongst those withdrawn.

Late-on, Toone is wide, in space, in the box. Player of the Match Bronze finds her but the volley is medium-rank. Similarly, Smith lazily under-achieves with a ball that drops invitingly twelve yards out. Hmm. Neither side can find their players.

When the whistle goes, it’s clear the crowd’s loved it, anyway. (With the ole scoreboard saying 2-1 England and the statto’s confirming 23 matches undefeated, who am I to argue?) I won’t argue. England are in a really good place – women’s football is in a spectacular place – with improvement, development and quality visible for all to see.

Yes. Let’s finish by repeating that. Two of the best teams in the world. A massive, near record-breaking crowd and quality visible for all to see.

I. Moral.

The word ‘immoral’ has been bandied about, eh? In politics and on social.

Fair enough, in fact thank god; any sentient being must have felt the creep of depravity and self-interest swilling over from the nauseating Johnson administration (hah!) to the newly-hatched but similarly reptilian Truss Crew. It may even be that A. B. de Pfeffel (etc)’s only profound contribution to British Public Life was the re-ushering of considerations around goodness and decency… because the twat was so manifestly bereft of both.

Yup, surely beyond dispute that the dishevelled clown was amoral – lazy and utterly uncaring? Secure in his repellent cocoon, protected by generational privilege and just enough ‘quirky’ wit to seduce a sufficient percentage of morons out there in The Country, as well as a few fading, doe-eyed, probably aspirational debutantes within his, or The Party’s clutches. He raised the flag for the slags – male and female – and the heartless.

Hard to be sure how much Truss loved and/or admired him, but plainly there are *connections*. Johnson’s weird ‘libertarian’ bullishness becomes her Free Market Mania. His wallowing in pomp and casual signalling about race and value becomes her pointy-thin English nationalism. Neither give a toss, nor know anything about the lives of ordinary people.

I confidently expect Johnson to be the worst P.M. of my lifetime but in that grubby contest, fair play, Truss has gotten off to an absolute flyer. She is less obviously steeped in entitlement but more openly pro- Those Who Have than he was. Astonishingly. The now infamous mini-budget, concocted with fellow servant-of-the-toffs-and-corporations Kwarteng was perhaps the most mind-blowingly brazen genuflection towards concentrated and unlimited wealth-gathering within the great families and corporations that this country/these countries have ever seen. Truss and Kwarteng shoved it in our faces. Those Who Have will get more – you other fuckers will get less, to pay for their ‘growth’.

Growth. Say it like the swear word it is. On a dying planet; in an ‘advanced society’. Four billion years of evolving life and these evil puppets are saying this is how we should work? Forget that which is decent. Forget equality or any sense of philosophical civility. Forget the Climate Crisis. Let the obscenely rich… be richer?

Biden’s notable but understated rebuke around the laughable and patently discredited ‘trickledown theories’ – unacknowledged by Truss and co, but plainly at the empty core of their vacuous ‘policies’ – was one of the minor highlights of recent political badinage, on the Twitters. (Put your hands up, friends, if the sight of a serving Brit PM getting called out for so obviously being a dumbo, made you smile – albeit ruefully). Even the (centrist) Yanks are laughing at us; at our hopeless, mean, un-educated transparency.

But maybe there is hope. Because it’s not just Andy Burnham using that word immoral. Despite the relative absence of political intelligence in the population, there is some decency. Folks know that there really is something foul about bought-Tories (like Truss) and Outed Toffs (like Kwarteng) opting to line the pockets of their allies. There is no windfall tax on the energy giants. Tax cuts *do*, barely credibly, favour the rich. The lurch both to the right and away from that which is right has found another gear. Oh, the arrogance! Did they think we wouldn’t figure this out?

On top of the willful, cheapening, xenophobic project that was Brexit, the Truss Conspiracy piles more economic and cultural madness. There’s an argument that the key driver here is prejudice – certainly it’s powerfully present. Prejudice (or lack of care) around ordinary folk, because they ‘barely contribute’. Or because they will never grow. Prejudice (of course) towards Others; those who are foreign, whose value is less than us, the Exceptional English. Prejudice born of estrangement from normal lives.

Whilst the Tories plainly got in because of this prejudice – the whole Johnson/Cummings campaign was constructed around it – something’s changed. It’s possible that many of those gullible to racial constructs are less persuaded by strategies built around class: particularly where the thrust of advantage seems mono-directional; that is, to the overwhelming benefit of the rich.

Interestingly, Truss feels relatively isolated. Even before she shocked some (but not all) of her party colleagues by being embarrassingly shambolic, it seemed like few Tories actually believed in her, or were following. (The figurehead that is Truss has always felt decapitated, has it not – even from the nonentities and bit-players that now make up her cabinet?)

The Conservative Party may, post-Boris, have been ripe for more nationalism and more strident neo-liberalism, but I’m not sure they expected this shite. Appalling competence, woeful messaging and startlingly reactionary economics.

One of the most telling allegations against the Tories since the asinine May era is that there’s been no voice for the good. No-one protesting for decency and fairness. Under Johnson, naturally, urgent or mindful voices were subsumed by the essential hedonism of the individual. Bojo was expressly amoral: nobody called him out. That cowardice – the absence of conscience – may yet decimate the party. They deserve it.

Truss is an ideological fool, soon to be caught in amber with her arms-length colleague, Kwarteng. They may actually believe in their growth theories but nobody trusts their intentions. Events – funding/’contacts’/the facts of their upbringing – present them as neck-deep in either corruption or privilege or both. They have outed themselves and some would say, the Tories, as Defenders of the Haves. They have done it more shamelessly than any government we might remember: even Johnson was less economically-wedded to the class he burst forth from.

The government are indeed immoral. Though that might not be the word that Everyman might find, it is the sentiment that will bring this callous cohort down. Soon. The people know.

They – the Tories, these Tories – are #theveryworstofus.

Clickbait? You betcha!

Hey. Front-loading this (from last night) with a sentence on *that* presser-invasion. That presser-invasion by the England Women players may have been the best moment in the history of sport.

Now read on.

Feel like doing something cheap and inflammatory – much like the fella Kelly and the fella Bronze did, late-on, for England. (They are blokes, right? Or could it be they just pretended to be, at the death there?)

So yeh how about that cheapest of cop-outs – the Player Ratings thing – along with some comments? Let’s get at it…

EARP. 8.5: tournament score 8.5.

May have been England’s best player of the tournament and was ver-ry solid again tonight. Commanding under the high ball; had no chance with the German goal. Does she score extra style points or lose some, though, for the Loving The Camera thing? Comes all over a bit David Seaman/Jordan Pickford when she feels the lens upon her. Whatever: good work. You stay down there for ten minutes gurll, if ya can get away with it.

BRONZE. 6.25: tournament score 6.

This may be the best, most dynamic athlete and *player* in the England squad and she may know it. She’s off to Bayern next, no doubt seeking ‘a new challenge’ and a purse commensurate to her talents. (Most of which is fine, of course. Except possible inflated ego and limited loyalty). Bronze is a worldie who has spent much of the last two years either playing soo faaar within herself that she is almost absent, or being wasteful or under-focused (particularly defensively) given the immense talent she has. Poor tournament, given the success of the team and shockingly blokey cynicism (reffing the game/looking to inflame/amateur dramatics in the last ten minutes of extra-time). Should certainly have been booked for that nonsense. So yeh. We see you, Bronzey. We don’t need you thinking you’re a male Premier League Legend. Get playing.

BRIGHT. 8.679. Tournament score 9.

May be England’s most limited player but Player of the Tournament nevertheless. A Rock. The Stopper. The Lioness Army on her own, pretty much. *Maybe* might have closed down Magull earlier or better for that German goal but otherwise a close to flawless competition for the erm, Rock Stopper.

Williamson. 7.8. Tournament score 7.231.

Hugely accomplished player and excellent foil for Bright. Reads the game, can thread passes. Goodish but not at her peak in this adventure.

DALY. 7. Tournament score 6.9.

‘Honest’, old-school full-back. Meaning likes to clatter wingers and do that defensive graft. Limited composure and quality on the ball. Will battle.

WALSH. 6.572. Tournament score 6.572.

Holding midfielder who can play. But didn’t, all that much. Can see a pass but didn’t, all that much. Lacked presence, both physical and in terms of influence.

KIRBY. 6.1. Tournament score 6.3.

Fabulous player who has had significant health/fitness issues. Lucky to have seen this campaign out, having been scandalously absent in certain matches. Real shame she barely featured again tonight: Kirby oozes quality and skill and composure when purring. This evening, on a stage made for her, she barely made a pass.

STANWAY. 7.82. Tournament score 7.28.

Mixed again, from the playmaker. Not as ineffectual as Kirby but not convincing or influential in the way her team-mates, fans and coaching team might have hoped. Got drawn into some of the spiteful stuff and rarely picked her head up to find a killer pass. Good player marginally below form.

HEMP. 6. Tournament score 6.

Surprisingly low? Not for me. Hemp is a tremendous player, who does torment opponents week in, week out. But she started nearly every match looking paralysed by nerves and (as well as making some good runs and the occasional threatening cross) she ran down faaaar tooo many blind alleys. Fully understand Wiegman’s No Changes policy but Hemp’s mixed contributions were so obvious that she might have been dropped in another high-flying side. In short, another underachiever given her ability.

MEAD. 6.75. Tournament score 7.243.

Golden Boot winner: scorer of a couple of fine goals. What’s not to like? Mead’s wastefulness wasn’t at the level of her co-wide-person, Hemp but her early contributions tended to be somewhere between woeful and mediocre. So nerves. When she settled or didn’t have time to think she smashed the ball in the net. So significant plusses. But I maintain she was significantly down on her capacity.

WHITE. 6. Tournament score 6.

Fine all-round striker who lacked her edge. Good movement but missed chances, including an early header tonight. Intelligent, crafty, even but neither involved sufficiently in link-up play nor the Fox-in-the-Box she aspires to be. She may not care, but not a great tournie for Whitey.

SUBS.

RUSSO. 6.75.Tournament score 7.45.

She’ll (and we’ll) always have that backheel – probably the Footballing Moment of the Year(?) – and she featured well on appearing around the hour. Has a certain physicality White lacks and does threaten magic. Wiegman will be feeling pret-ty smug, I’m guessing that her Russo Project delivered.

TOONE. 7.82. Tournament score 7.49.

Beautifully-taken goal, against the grain of the match. Historic, I guess. Is a talent and, like Russo, has the gift of sparking something. Quite possibly unlucky not to have started games: was quietish, mind, apart from the goal.

KELLY. 6.2. Tournament score 6.2.

Bundled in her goal but like most of us half-expected it to get ruled out for the way in which she fought off her defender. Then went mental. (Think her goal was probably legit but would it have been given in Berlin, I wonder? The officials were consistently poor, were they not?) Have no problem identifying as a Football Purist so thought Kelly’s repeated and deliberately inflammatory way of ‘going to the corner’ was literally foul. An awful way to finish a good tournament.

Don’t care if folks think I’m being embarrassingly retro if I say it’s a slippery slope, that, down to where the scheisters in the Bloke’s Big Time hang out to ‘draw their fouls’. Cheap shot after cheap shot – unnecessary. The manifestly higher levels of fairness and respect in the women’s game are important. Don’t fall in to shithousery, please. Thought the lead pundit on the telly-box – former England keeper – was appalling around this and her pitifully one-eyed view of the game, generally, was unedifying.

SCOTT. 7. Tournament score 7.

Scott’ s brief for some time is to run around for a limited period of time and rob the ball, then keep it simple. She tends to do that well. She’s feisty, too. Fading memory – was it her, wassit her?!? – of a Classic Moment when argy-bargy broke out and Scott bawled “FUCK OFF YOU FUCKING PRICK!!” into the face of one of our European sisters. Guessing our Jill is a Brexiteer.

WIEGMAN. 7.985. Tournament score 8.972.

Clearly a good coach/manager of people. Don’t entirely buy the Oh My God She’s a Genius meme, because England were outplayed for too long by Spain and Sweden (and for some periods tonight) without sufficient reaction from either the England players or their coaching team. But she’s good, and she couldn’t do more than win the bloody thing, eh? Apparently she’s a right laugh, too. So maybe add a full point to those scores, on reflection.

PRESSER INVASION. 10.
The best, funniest, most human thing a daft bunch of wunnerful football stars have done for aeons. Magic.

OVERVIEW.

MASSIVE that England have won a tournament. Weird, you may think, that they have won it with half the team underachieving. But I do think that. #WEuro2022 has been a good, often fabulous comp with an ordinary final won by a team who maybe had a little luck. So what’s new? Most tournaments go that way, in fact many are poor quality, in truth and have a duffer of a showpiece.

It was important and often thrilling that we saw some top, top footie, with real quality, composure and skill at this event. France were outrageous at times; Spain gave England an hour lesson; Sweden and the Netherlands were tremendously watchable when at their best. But England went and won it; scrapped and flew in there and battled and then won it. They are to be congratulated. Here’s hoping we can look back on this in a wee while and bring out the ‘l’ word – legacy, dumbo! – without rolling our eyes (a la London Olympics, etc, etc).

I’m thinking this could be huge for women’s sport all over Europe, not just in Ingerland.

Field of Dreams.

A challenge, this: to wrangle with the conflictions around Flintoff and somehow appreciate fairly the reality-docu-dip that was his “Field of Dreams”.

Let’s blast away at the opening concerns, and indeed the opening credits. Crap intro which ladles on the Freddie-lurv and traduces the state of the game as it stands. (Of bloody course cricket is dogged by elitism – I spend half my life trying to oppose or render it obsolete – but it’s not THE most privileged sport in Britain. Let’s not start with a shameless dollop of clickbait and a slack falsehood: that debate is important).

Get that this is ‘popular TV’ but not sure that means we need to launch with Sun readership-level positioning of the central issue; that faaar too many kids are either denied the game entirely, or are rendered ‘irrelevant’ by lack of facilities/coaching/dosh. Wonderful that Frederico is (belatedly?) struck by the need to do something… but c’mon, let’s have a wee look at the thinking or motivation behind that. Then we can un-pick the socio-economic/class-based problems and hopefully look with clarity at the pitiful, possibly unsustainable failures of leadership.

Do I doubt the quality of Fred’s feeling for the game, or his impulse to pitch in and use his profile to put something back? Absolutely not. Would I have preferred it if he hadn’t made a documentary series off the back of that concern – i.e. if he had quietly but maybe more magnificently done all of this stuff off-camera? (Yes).

On the one hand Flintoff’s generosity shines through, here but it’s also the case that the former cricket-god has form for being relentlessly attention-seeking: in short Fred’s made more appalling telly that almost any man alive, and much of this seemed to be driven by a deepish neediness which may spring from his own, heavily-reported issues. (Issues I am absolutely not under-estimating. I’m just speaking plainly). Flintoff, like many great sportsfolks, has both an ego and some not insignificant baggage.

Flintoff also authentically has that Northern Way of being good and being honest. He is genuinely concerned for and genuinely proud of the mixed bag of dysfunctional ‘nutters’, borderline depressives and fabulous ‘under-achievers’ that make up his group. There are legitimately poignant (and even important) stories intertwined with the inevitable gather towards comradeship/achievement/growth.

Speaking as a Northern Lad (originally), brought up with sport in the blood and hugely conscious of the role it can play, it struck familiar chords. I didn’t grow up with or encounter Afghani immigrants who had cut their way out of lorries not knowing where the hell they were. I did, however, grow up (in the fullest sense) with lads who were allegedly ‘a waste of space’ everywhere but the sports field. I have coached a million hours in Community Settings and am proud to know people who spend their lives doing what Flintoff did – offering that way in. I know cricket can be a platform, a shelter, a right bloody laugh.

So I welled up, listening to lads who are nearly lost; imagining my kids on the streets; seeing Sean’s clandestine brilliance so dismembered by circumstance.

Freddie Flintoff’s Field of Dreams” is enjoyable and compelling but flawed – of course it is. Fred’s that way himself (and so say all of us). Cricket is neck-deep in privilege and therefore dysfunction but this join-the-dots shuftie at ‘estates’, idylls and elite private schools, may not have added much to the urgently necessary discussions around administrative change and resolving inequality. (To be fair, that probably wasn’t The Brief).

Fred, and the essential team of (community) coaches who (though largely absent from our screens) clearly effected much of the cricket development, did some great stuff. I love and honour both them and the game, for that. The obligatory former SAS hunk threw in a team-building exercise that might have taken gold at the Blokey Back-slapping Olympics and Our Lovable Rogues *really did* make progress, not just as cricketers but as citizens.

Fred got some scallywags got off the streets, off their arses and (yes) inspired them to *do something positive*. Some fell in love with the game. Some made much-needed mates. Perhaps most importantly, about half of them joined the local club after the TV Caper was done. Flintoff used his clout, some of his personal wedge and an infectious lump of encouragement to make a difference. To paraphrase him, late-on; it may even be that the listening, the offering, the life-changing malarkey was waaay more important than any win over a bunch of toffs could be. This was bigger than cricket.

Pic courtesy BBC TV.

Johnson.

We can’t just leave it to James O’B, so…

Johnson. The heave-inducing haystack; part lard, part Scarf(e)ian nightmare . The Liar. The Cheat. The Truly Grossly-Entitled One. The son of his father. ‘King of the World’. Did all of this stuff really happen?

Of course it did. And however much we absolve ourselves – even those of us who knew (who knew!) what sort of a malign prick he was – every single one of us has some serious thinking to do.

Without setting aside the Johnson-specific howlers, the international embarrassment, the murderous strategic failures, the government-by-racism, we have to be smart enough and generous enough to think beyond our justified contempt of the man. It’s fair enough to hate him, he’s a low-life in a surreal, truth-less realm he really does think he owns; a particularly foul individual. But this can’t happen again; this can’t all just be about him. Let’s deny him that.

We have to seek progress, do we not? So need to be as clear as we can about the enablers. (We won’t, sadly, be able to do much about the systems of privilege and prejudice in these islands but we must call them out).

Murdoch, Dacre and waaaay too much of the media has either created the environment for Johnson’s grotesque rampage or facilitated it via omission – by failing to call lies lies. Look with any intelligence or fairness at what the Mail/Express/Telegraph/Times have been pumping out and there’s a truly sinister level of delusion, bigotry, disinformation. The whole concept of news has been subsumed under a kind of contemporary signalling: imagery and relentlessly crass soundbitery hussling readers towards a mean, othering worldview. It’s strategic – meaning choreographed towards a specific purpose. Big Money, in short, is being protected.

I’ve just watched James Rob utterly eviscerate the Daily Mail and nodded along with the (yes, gedditt, plainly flawed) Alistair Campbell’s twitter onslaught against the worst PM of my lifetime. How many other significant public figures have been actually calling out Johnson’s filth and amorality, directly? Should it be down to Johnathon Pie to steer the public consciousness towards what’s really going on? Is that not the very purpose of The Media? How have they been so absent when The Story – that we’ve had a plainly debauched Tory leader with a high-viz capacity for lies, corruption and cronyism – is so obvious and undeniable? To repeat… is it not the media’s very function to report and therefore make judgement possible?

Of course it’s not, when they themselves are driving the urge towards cheap, dumb, race-based patterns of behaviour.

The Mail (surely a candidate for Most Vile Newspaper on the Planet?) enabled Johnson every step of the way – championed him. Dacre and co. made possible the rise of xenophobia and evil that powered Farage and Brexit, and the conflation/reduction of every political discourse to a dreamy return to a Proper Ingerland: white; noisy; exceptional. The Daily Mail coaches zillions of old, dim reactionaries towards a more exceptional bigotry every day. It is really not alone in this but everything from the relentless lying to the disappeared corruption around Covid contracts, Track and Trace, Arcuri, cash-for-honours, Russian influence, lobbying and second jobs, as well as the editing-out of the central horrors that are the Covid deaths, Partygate and the astonishing extravagances and outright law-breaking of the desperado couple, Cummings and Johnson is a function of the Murdoch/Media Baron Environment. We have to break that somehow.

Zooming out, the deliberate damage to political life and discourse is scary. The fact that Keir Starmer has been steered away from ‘controversy and ‘divisiveness’ for so long is indicative of a deadly failure within the system. The Opposition dare not oppose, for fear of a) Tory rags whipping up yet more dumb rage against them and b) this rage winning out, electorally. Only now, that Johnson is going (pleeeeeeze god), are we seeing any legit moral outrage from the Labour leadership. Previously, he daren’t call out lies for fear of scoring own goals.

On many levels this is offensive and inadequate – it serves us badly. But plainly Starmer has been advised not to appeal to people’s intelligence and decency, because three inch headlines about immigrants or scroungers will hold sway over that. That is, there is no (or there is insufficient) conscience out there – no sense that historic boundaries or norms around individual or collective behaviour remain valid. So nothing matters. When the PM’s getting blowjobs in parliament and/or been trying to get his mistresses jobs or jollies, or finishing his book/sorting his divorce instead of attending to international emergencies and this stuff somehow leaks away from view, things political are being steered ver-ry dangerously.

We’re still being run – being played – by a few families. Folks with colossal power, unthinkable wedges and an iron grip on all of us. It’s only occasionally that the truth of this cuts through. Cummings loved to paint himself as some anti-Establishment guru but he was (is) neck-deep in money and privilege. Johnson’s father is the very epitome of Olde English Entitlement: he will enjoy those privileges alongside those now afforded by his residency within the EU. (By the way, could there be a better symbol of Tory Hypocrisy than Our Stanley? True, there are a glut of contenders but everything about Johnson senior reeks of the very smuggest form of exemption – of the rules simply not applying).

Alexander Boris de Pfeffel Johnson – c’mon, let’s hoist him by that petard (no doubt) imposed by pater – is going. He hopes and expects to choose the time of his going – of course he does – and apparently expects us to host and underwrite his extravagant wedding during this period. After that he will (of course) slot into the easy life that is gifted consultancies and the After-Dinner Circuit, where he will command huge fees. (Can it just be me who’s thought all along that the whole degenerate Prime Minister Project has for Bojo been just another way of collecting anecdotes with which to entertain Lady Amplebosom, of Hartley Wintney? The shameless bastard will probably have his own talk show, never mind as many £100k speaking engagements as he wants. And he knew this would happen for him.)

Masses more of ‘Boris’ then, in the offing. Because the truth is paths will open, scandals will fade or disappear. Power persists. Johnson, despicable man that he is, will probably never be held accountable. And if he was, he wouldn’t care – wouldn’t need to. We may never know if his flirtations with Russian Intelligence were genuinely a threat to our national security, nor where the missing Track and Trace billions have landed. When it comes to Elite Family members, even the ‘quirky’ ones get protected.

London Calling. Or Falling? Or Stormed?

So waay too late, I went to an Olympics. Or an Olympic stadium. Aeons after the world loved London, Ingerland – ten excruciating years, in fact, by my reckoning – I’m there.

Now, somewhere between dystopian weirdness and jarringly-immediate come-uppance – and shit, at the moment of writing! – the fat, privileged, idle, laughing-stock who has robbed us of our very authenticity, preened the very worst of our national prejudices and creamed-off much of our silver for his pals in Stockbrokerville has been presented with a significant hurdle. Come the end of the day he may be spent. And this may be a turning-point back towards a kind of general decency and respect: a kind of England most of us could sign up to *at some level*.

(Yes, friends, I live in Wales so yes there are a million sub-clauses and qualifications inferred here. Don’t be insulted if I fail to itemise them?)

Meanwhile, *switching*, West Ham – the football team – smacked of a kind of earthy loveliness long before the London Olympics changed their geography as well as their profile. They were Bonds and Hurst and Peters and Brooking and Clyde Best. Their whole spirit was somehow characterised by the rolled-down socks (but metaphorically rolled-up sleeves) of that first-named club icon. So they were liked.

It’s absurd in 2022 to use phrases like ‘attractive football’; worse still to associate that with abstracted, rose-tinted community goodness but as I look around the acres of ‘park’ now home to the Happy Hammers, the clash of values, vistas and jazzed-up-verbals is somewhat mind-blowing. The mind drifts. The New Universe is built of gravel and murals. A metallic bowl, in cream and concrete and claret; opened-out spaces to accommodate a world of visitors; the greyish hinterland of planned policing.

I get there early so as to find stuff: Stratford, the stadium and a pub in Hackney Wick. It’s quietly thrilling to see so many Town milling about, more than two hours before kick-off. Already clear Solihull Moors gonna be swamped, on the terraces – or, ahem, in the seats.

Yes. I’m Grimsby and I’m there because I’m Grimsby. Despite being in West Wales for the whole of my considerable adult life. (Hands up, schizophrenic don’t cover it: proud of family and mates but substantially estranged from Ingerland. Particularly now). A National League Play-off Final has drawn me to The Smoke, not the prospect of a Boris be-heading, or the Plat Joob – which I have openly unsubscribed from.

Don’t blame me if the kaleidscopic madness of everything is conspiring towards another action painting. Blame them murals.

22,000 in the ground and towards 15k of them are GTFC. (No kidding. This may merely mark the size and history of the respective clubs but it feels incontrovertibly good, as a Town fan, in the building). Solihull – fair play – make a nonsense of this by quietly massacring a limp Mariners side for twenty-five minutes. They do all the ‘playing out’. They do all the ‘ball possession’. All the stuff we’ve been demanding, over beer and fodder in the local hostelry, they do.

Town have a fella called Fox in central midfield. He gets his head up. He gathers and looks – more than almost anybody in the National League. He should be playing alongside Clifton and he/they should be getting the ball. Hurst, the Grimsby manager, lacks the game intelligence to see this. Solihull boss the game faaaar too easily and Fox falls back on the easy role of dogged interceptor and header of midfield bombs. Clifton has a mare throughout. He’s not the only one undermined by nerves, tiredness and/or poor strategy but it’s a particular shame in his case.

Moors nearly murder us (see what I did there?) in the opening half-hour. Instead the lead at the interval is a manageable 1-0 – the eight foot twelve striker Kyle Hudlin inevitably nodding home just as folks were beginning to slide off for pies and pees. It’s been mixed fayre – and it remains that way – with Town’s dominance off the park barely reflected in the relatively uninspired action on the pitch.

It’s the National League; I get that. Guys are nervous and in the Mariners’ case, entitled to be drained. (Already two EPIC knock-out games ticked off. Remarkable, exhausting games). But there is a lot of poor, wasteful play and percentage-wise, a fair lump of that comes from Sousa, who, despite being gifted, seems to specialise in infuriating profligacy and Smith, who cannot pass. Others under-achieve but if I were to brutally dissect… those two guys seem the obvious candidates for release*, before the deeep breath and go again thing, in League Two, next season.

*Fully understand that some Town fans will powerfully disagree with this. Sousa’s dancing and Smith’s resilience have made a contribution. But for me they aren’t players for the next step.

The Town Faithful, perhaps blithely confident that somehow the Mariners will find a way, make their presence felt, periodically. And periodically, McAtee, the Boy Most Likely to, looks likely. Then he scores.

Seventy minutes gone, with Town threatening in bursts. McAtee beginning to look a tad laboured – been playing hurt, I’m guessing. A threaded pass offers a yard. He nails it, calmly threading the angle across the keeper. A million agents make another note. The lad may be in the Championship promptly; cruel for Town but plainly on merit.

We get our third consecutive bout of extra-time. Their right-winger gets his eighty-fourth cross in, unopposed by Amos. There is space and Town have thrown on the alternative, pacy strike-force to snatch this before pens. Abrahams is racing lustily around, Dieseruvwe showing the occasional good touch. Hurst’s late positivity feels like a healthy gamble.

The trauma of pens is avoided in probably the most predictable of fashions. Even though National League defenders spend most of their professional life defending aerial threats, (my) recent experience has been that they ain’t that proficient at doing it. (Witness Wrexham, here… and everything). A long throw is piled in to the six-yard box, from somewhere east of Lowestoft. A yellow-shirted neck cranes cruelly but the ball glances dangerously on. Maguire-Drew launches and gets a nudge. 2-1 Town.

Us part-time supporters (and Englishmen) go ballistic. It’s a ver-ry special eruption of pride, defiance, community. THIS TEAM have really triumphed. THIS TEAM really did refuse to lie down – serially. McAtee, soon after, is talking about 11 months of non-stop graft. The lad’s exhausted but wonderfully free of the arrogance that might come once somebody gets in his ear ‘about his worth’. He’s loved this club and loved this moment. He’s seen what it means to ‘these fans’. This is legitimate joy.

Anybody casting an eye over the decent sports press will have seen the columns that Jason Stockwood has been filing. They’re a kind of Decent Capitalism-Plus. The chairman gets it: people; value; patience; belief. I can’t argue with his support for Hurst – though in strategic terms I think he gets things wrong. But what the hell? There is something profoundly right – though indescribable – about Grimsby Town battling/earning/enabling an immediate (but endless, agonising) return to full-time, professional football.

Let’s draw no daft equivalence between that wonderful storming and the one the bloody nation(s) need. Travelling back to Wales, the issues, the anger, the surrealities will only garishly multiply. My ears have popped, bursting out of some West Of Ingerland tunnel. Deep breath and I’ll be all over the news channels.

Six Nations under one groove…

L’eau: c’est claire et bleue, n’est-ce pas? (Did I get the feminine thing, right?)

Clear blue water. It feels that way, the morning after: France at a higher level. With Matt Dawson’s recent description of Scotland as ‘world class’ looking ever dafter – or evermore like some kind of weird but familiar (and peculiarly English) Existential Guilt. An over-compensation.

Murrayfield was swiftly quietened. Then England Wales felt and often looked slightly Division Two, with Eddie Jones’s crew again looking like a team that lacks identity – quite possibly because Eddie Jones changes the line-up every time they step out on the park.

The hierarchy seems clear, then: France ten points better than everybody else, with Ireland and England closely matched, behind. Les Bleus go to Cardiff – where they should win – and host England, who may yet offer a challenge. Should Natural Justice prevail, however, the best and most entertaining side in the tournament will win a Grand Slam. Few would deny them that.

Scotland have closed a metaphorical gap, to their credit, in recent years, but remain reliant on inspirational sparks from the crowd, or from hearty, ball-carrying individuals. It’s notable – and disappointing for us neutrals – how Hogg and Russell have underwhelmed, thus far. Wales, meanwhile, are somehow both close to a slump… and occasionally brilliant. Here are my two live blogs, from Saturday.

Du Pont! Generously waiting a full seven minutes before dancing and smashing through the hosts. Classically ‘French’ try – meaning all-court rugby of a particularly expansive species, made by the scrum-half’s endless, penetrating break. Murrayfield stamps its feet quietly and shakes out the cold. May be resigned, early doors.

A minor response – an important response – as Russell knocks over a pen but within another five or six minutes a second, genuinely glorious try from as France surge, sling, then bundle over in the corner. After fifteen, the visitors lead 12-3 but have already minced most of those absurd expressions of confidence from pro-Scottish pundits. (C’ mon: it’s been obvious. Scotland were fortunate to beat England, they are an improved side but still a relatively moderate one AND NOWHERE NEAR AS GOOD AS FRANCE. Whatever happens from hereon in).

The wind is blowing strongly, in Scotland’s favour – assuming you accept that a following wind is a boon. The thought strikes that Hogg’s monumental kicking game may be key to keeping this close ’til half-time… but beyond that?

Scotland managing set-pieces okay: they rob a line-out and van der Merwe opens his legs. Encouragement. Then a Big Moment. Jaminet launches at the high ball but clumsily mis-judges. Yellow? He is maybe fortunate. What the full-back’s error does do is offer real momentum to Scotland. They capitalise, after an extended period of pressure: Darge powers over after a tap penalty. After the extraordinary expression of superiority from France, in those initial exchanges, the scoreboard reads 10-12. Ridiculous and rather wonderful. *Perhaps especially* given the growing sense that a few French heads are reverting to stereotype: i.e. lost under pressure.

Scotland again get the penalty upon contact: then France strip the hosts. Then a knock-on, from Jaminet – who, in fairness had to reach behind himself in the attempt to gather. (Poor pass). Incredibly, we reach 35 minutes (in about 12) and this entertaining harem-scarem feels even. No phases, lots of excitement.

AAAARGH. Clear green water for van der Merwe then Hogg must surely score?!? The pass is out front… a teaser… a killer. The skipper can’t get there but can’t stop himself reaching and knocking on. Could decide the match, that – a score then and even I might believe in a ridicu-grind towards a Scottish victory. Instead, we approach the half and France have a line-out on the twenty-two.

The first opportunity is missed, strangely because of a slightly lazy long pass, form the godlike Du Pont. No matter. France, well into red time, keep this alive and scorch diametrically towards the other corner. Pace and power again combine, as Fickou barges over and in. (Perhaps that might have been defended?) Whatever. 10-19 may flatter France a tad… but surely does represent the relative strengths of the sides?

Second half. France score early (so I’m looking wee bit smug). Danty may have been a tad fortunate with the bounce but again, that sense that Natural Justice is at work: an improved but out-gunned Scotland are being, yaknow, out-gunned. 10-26, now.

Half of you may not like my dismissal of the Scots: it ain’t personal. I rate and respect the development and the skill and spirit (especially) they are showing again, here. But they are not The Contenders some of the Top, Top Pundits have been saying they are. And I do think that’s been obvious – even when they’ve won games, showing a healthy mix of ambition and of guts.

France are kicking a bit like France; otherwise the differential might be bigger. It’s blowing, at Murrayfield but our friend Eunice is long gone. Notable that Russell is having little influence; a kind of non-developing theme, in this championship?

Have Scotland suddenly tired? The French winger Penaud suddenly has acres to jog into, unopposed. One of the weirder ones – and surely dispiriting, for the team in white? Converted, so we now sit at 10-31, in (whatever the French is for) mullering territory. La Marseillaise; magnificently.

The game does that thing where it goes into Inevitably Scrappy Mode. Scotland have no choice but to look for tries, and battle courageously. France seek unanswerable superiority through multiple phases which the hosts, to their credit, deny them. It’s a clear away win and has been, arguably, since the fourth minute. The breakdown is contested manfully, to limit the damage but Penaud again finds a paddock available as Ntamack kicks serenely into space. 36-10.

Finally, something for the locals to cheer. Kinghorn runs… and runs… and offloads to the grateful VDM. Thrilling but almost irrelevant. A knock-on in midfield prompts the whistle. 17-36: away win, of the convincing variety. Warburton waxes lyrical about France, who come to Cardiff on 11th March to entertain us – and *I do mean* us. I’ll be there!

Les Bleus are earning the right to be talked about as world-leaders. That’s unknowable or un-provable, surely, as yet(?) but they look like a side that could go to-to-toe with the icons of the South. Meantimes, they must be targeting a Grand Slam, to cap off an exhilarating championship. It’s what they deserve… and I strongly suspect most neutrals would welcome that eventuality.

England versus Wales.

Smith gets us going. Great hoist. England have it, just a few yards out but concede the penalty… before claiming one in return. Easy kick for the glamour boy – drilled home. Jones’ Posse looking bright and aggressive: the worst chant in world sport gets an early airing by way of erm, encouragement. A second penalty, again exactly where the fly-half would’ve wanted. 6-0; all a bit easy.

Sniff of an opportunity, for Wales. Tompkins pings a probing punt forward but nothing arises. Decent defending, from Daly. (A-and the Alliteration Overload Award of the week goes to)…

A sudden burst of pressure offers the visitors hope, via scrum then line-out, deep into the twenty-two. Longish advantage before Biggar opts for another throw in the corner. Lawes robs it!

Wales notably unhappy with the refereeing: not just their skipper ‘having words’. Cuthbert breaks but concedes a penalty on contact. But some encouragement for the red shirts, who are shading things, in this wee period. It remains 6-0, after 15, however.

Gorgeous step and no-look pass from Marcus Smith electrifies the midfield. Again, within seconds, Wales have offended but the England pivot narrowly fails to capitalise. (Kickable, nine out of ten). A mixed game, quality-wise, with limited phases. Randall looking confident, mind.

Ewels within an inch or six – hands under the ball. Prolonged break for a review of Williams’ sly mitt. The full-back is binned, eventually, and England are five metres out. Scrum. Rinse and repeat, messily, infuriatingly – consider re-setting the lawsingly.

Wales get the pen; Sinckler standing but getting no sympathy from the ref. Best part of ten minutes near the Welsh line but almost no rugby. Finally, Wales clear. Injuries and spillages. Basham rips brilliantly, Lawes gets one in the eye but still almost no rugby – or *only* rugby of that competitive-but-suffocating variety. Cowan-Dickie subbed, injured, on twenty-four minutes. Another scrum. No sense, in truth, that Wales are a man short.

The visitors surge, Cuthbert dismisses Nowell faaar too easily but another error follows. Scrum Wales, in a decent, central position. Ambition, from Biggar as he tests opposing wingers with a floaty, cross-field kick. Nothing results but the clock has ticked down. Slade’s neat step almost threatens but it’s a tectonic clattering from Curry that ultimately offers Smith the chance to increase that lead. Slotted nicely from thirty-five yards.

Now Liam Williams is back. He may be happy enough that the board confirms an increase of only three points in England’s favour. Given that conditions are perfect – really perfect – I’m wondering (after 35 mins) if this game is going to reveal the relative (that word again) mediocrity of both teams. (That harsh? Perhaps. But this is ordinary fayre).

Finally rugby breaks out. Phases; movement; threat. Smith is absolutely at the heart of it, bursting intelligently, drawing and popping, utterly justifying his place. He thrashes over a simple pen. England go in 12-0 up.

Ugly, ugly, strategic, deliberately sapping breakdown work, from England. Part of the Great Grind? Fair enough. It may be the way to win this.

OH GAWD!! Uber-clanger, from Wales gifts Dombrandt a try. The number eight has only to catch the shockingly fluffed line-out and his momentum will carry him through. He catches, he stretches and the lead goes to an inviolable 17-0, as Smith misses the kick from wide.

Wales do respond, with some sustained attacking – well, relatively, but inevitably the visitors cough up possession. Pivac will be angry, never mind disappointed.

As with Scotland, so with Wales: we get spirit. (Then we get the Royal Bloody Family).

The game feels gone but Williams throws a sharp one out to Adams… and the flyer finishes clinically, as he tends to. 17-5, 25 minutes remaining. Surely not? Wales have found some purpose. A further try is not unthinkable. And then who knows?

Line-out five metres out. Phases with some control. A TRY SEEMS LIKELY. Tompkins, deservedly, gets in. With Biggar being characteristically emphatic from the tee, Wales are flying and the margin is only 17-12. Youngs comes on for his record-breaking appearance. England need him to manage this.

A little territory, for the home side. Cuthbert breaks out but is isolated and expertly crunched by Nowell. Penalty. Smith – at the furthest extent of his range, you suspect – converts, for an eight point lead. (So important). Marginal, but that may have been against the grain of the match; certainly of the half.

Wales offend at the line-out after a clearance from Slade. Kickable. Smith again delivers calmly. Nine minutes remain. 23-12. Commentary team quite rightly making the distinction between the margin on the scoreboard (eleven points) and the ‘lack of (real) authority’ in England’s performance. Untimely pens and/or recurring pens have cost Wales.

Two minutes left and Wales looking to make some statement of defiance. Line-out routine. They have a penalty. England asleep as Hardy taps and goes. In! Jones will be angry and disappointed – particularly as Wales will have one more phase of possession. 23-19. Tension where there was none.

The visitors retain and auto-circulate, showing tremendous resolve – and skill under pressure. Williams does brilliantly to stay in touch… but Wales again contrive to concede possession. Game over? NO!! Lawes concedes a deliberate knock-on (and pundits all agree he should be yellowed). Ridicu-tension, now.

After a near-epic spell of edgy, competitive, necessarily expansive rugby, England get their hands on the ball. The roar of relief can be heard in Brighton. Were Wales ‘hard done by?’ In the sense that they were better and more threatening in the second half, yes. But they lacked both the top-level sharpness and discipline to hurt England enough. And England lacked authority. Some drama, belatedly but this was mixed fayre from two unremarkable sides.

Where were you?

Where did that reference to The Mekons come from? Oh yeh. Twitter. Those profound, weedy, ridicu-lyrics: somebody posted. As did I, ’bout lunchtime, Sat’dee.

Meanwhile it was sleepless sleep, in the howling, battering gale and watchful half-skewed relentless triptych-vision. Daft, undulating, golden, white resort-sports for the White Stuff Generation on the one screen, footie and/or cricket on the other. Maybe radio too.

The rugby, you have to watch. Even if you absolutely do, now, fall into the category of Six Nations Dilettante. (Yup. Sadly. Having previously followed club action/the wider game, I now find myself unable, somehow, to grab a hold. Too busy; too much else). But this, despite mixed or even lowish standards, is a good tournament. Never more so than when the green/red/navy danders are up, the tribalism off the scale and the gales a-blowing.

England slaughtered Scotland for an hour, without turning dominance into points. Then Smith – the Hoddle, the Poster-boy, the Soft Centre – was withdrawn, as the stats (probably) or the GPS (possibly) said he was 0.023 down on something. Despite having just raced thrillingly across the try-line, thereby raising the flag for poetry and instinct in a way only probably he and his opposite number could even contemplate, Marcus was pulled: Jones and his 1400 sub-coaches looked to Ford to ‘manage the thing from here’.

That moment of soul-crushing pragmatism prompted the ancient-but-righteous gods of joy, IRN-BRU and twinkling perversity to gather immediately around and hoist their kilts. The hitherto impregnable Cowan-Dickie wilted in the maelstrom, pansy-patting the ball forward and out of play, to deny a possible score for the foaming, lurking Graham. It was both a robbery and a moment of grace: the penalty try being awarded, apparently, as punishment for the deliberate, if barely-controlled slap at the ball, without consideration for whether the attacking player would have gathered in cleanly and touched down. In that sense, controversial. Morally, a win for the resurgent jocks and all of us.

Meanwhile, before, Ireland stunned Wales. *All the ingredients were there*, as they were in Edinburgh. Febrile ether; gale; beery breath. Plus a marginally more complex ‘national relationship’ between the protagonists. (They tend to be Celts together after proceedings. During, there is *feeling*). Ireland launched and never came back down – or hardly – the intensity of the thing being simply too much for a mediocre Welsh side, who could not, despite keeping the score respectable for 40 minutes and more, compete meaningfully across the park.

It was a series of impressively purposeful, urgent flurries by the hosts that wore Biggar’s side down. The new Welsh skipper has a mighty, doughty spirit to go with his management skills. Even he was found shaking his head in disbelief and disappointment, late in the game.

Zoom out; remember. (Christ it was only yesterday!)

Pacing the energy-use was key, eh? And re-fuelling with care. Early alcohol was deeply unwise – it generally is – but throw a healthy pile of nosh and a tactical kip in there and you find yourself upright for The Cricket, later. (Upright in bed, anyways). Aus have won the toss and are asking Heather Knight to carry her team through another onslaught. She can’t. Nor can Sciver, the other Significant Hope.

England bat, understandably but also illogically – the series has gone! – with caution. Winfield-Hill is both dreamy-good, with her expansive drives but also unable, with her early partners, to garner more than three an over. When her coach Keightley and her 178 sub-coaches know that Healy will coast nearer to six, from the off. So it’s reasonable madness, from England. They splutter to a chillingly disappointing 120-odd all out: Winfield-Hill gets her customary 30. It’s never-in-a-million-years a competitive total.

But I slid towards fitful slumber at about the twenty over mark. When England were still below 80, from memory. Rafters clanging. Sea rumbling. Had to lie side-on and perch a pillow over my head to blot out – just a little – the sound. Felt both bit like smothering yourself and retreating into childhood and adventure. Oh, and final phone check – just to turn off, really. But yeh, twitter…

When I was waiting in the bar, where were you?
When I was buying you a drink, where were you?
When I was crying home in bed, where were you?

When I watched you from a distance, did you see me?
You were standing in a queue, did you see me?
You had yellow hair, did you see me?

Mekons.

Vicious but fair?

Desert Island Discs. We all do that thing where we pick our choices, yes? Or get part-way through, or come over all excited and find we’ve chosen twelve that absolutely have to be in there, before – having treble-checked with a responsible adult that it’s a relentless, brain-jangling, relationship-busting eight – we combust. Eight. Only.

Life lurches, again: this theoretical bastion of ease, this very symbol of Beebism and aural-pastoral reassurance becomes yet another bloody angst-apocalypse. Shit! Is this COOL ENOUGH? Are there at least two tracks here that only four people in the UK would have chosen? (In my case) given that I’m happy to sling out the universe of ‘classical’ – entirely through ignorance – do I have to give a wee nod to Free-form Jazz/Black Music/DEVO/Albanian Prog Rock? How much exactly am I performing here?

There’s something thrilling, maybe, about that rash and dangerous and in my case heavily instinctive culling of Stuff That Is Undeniably Wonderful. But that instinct does run up against both the maths – bollocks! Eight! – and the pictures that inevitably waft in. Palm trees. Sand. Lizards. Blazing mirages. How many mournfully introspective indie toons can I lever into this, realistically? Do I let the sunniness dictate – or the potential loneliness? (Confession: loneliness not an issue in my case). To what extent is this a practical choice, meant to ‘see me through’ and how much a validation, a deep, heartfelt pattern from the soul?

I’m a part-time supporter of plenty of stuff but maybe particularly Desert Island Discs. Occasional listener. Sometimes turner-offer, mid-way, too – or even earlier if the music is crap and the interviewee dull and posh – and *this happens*, right? (Here’s a brutal truth: there are a lot of oldish worthies on this programme. There is that sense that D.I.D does represent the Beeb in that most of the folks you’re gonna be listening to went to private schools then did something grand. That’s how the universe is, for sure but it’s a pret-ty significant turn-off for this particular listener).

But let’s get to the fun bit: the bit where we can argue. My choices. Will be trying not to overthink these but will undoubtedly fall right into that trap of making my case, for each. *Fatal*, I know.

Toon numero uno:

Nightswimming – R.E.M. https://www.youtube.com/watch?v=ahJ6Kh8klM4

Don’t even think about arguing. One of the great, beautiful and (sure) most deeply melancholy noises ever made by humans. Needs to be there. Everything humans have ever been is in this. It’s a towering achievement.

Two:

Keys to your Heart – The 101-ers. https://www.youtube.com/watch?v=tx8bM05mmQ4

Yup. Obscurish but no apologies. The guitar sound and the understatement; the almost-acoustic thrum. The soul-punk heartiness of the Strummer vocal. The call to goodness. Joyful and invincible.

Three:

This Must Be The Place (Naive Melody) – Talking Heads. https://www.youtube.com/watch?v=rVoPzA0g3Ac

There are plenty Talking Heads toons I could have chosen – three or four from the unsurpassable ‘Fear of Music’ album alone. Gone for this because of its colour, its lovely meandering depth… and (maybe unusually for me) because of its sheer musicality. Speaks to something – to many things – close.

Disc four:

Poptones – Public Image Limited. https://www.youtube.com/watch?v=b8e2CTB9oeQ

Political, in a sense. Metal Box is a truly extraordinary racket: provocative, difficult, rich. The veil through which we must pass is a real protagonist. Lydon is defying you to dare to walk on through. For me, that’s part of the brilliance – that these guys are seeking to go ‘right past music’. You might find it offensive or pretentious. People I like think it’s some sort of weird Germanic(?) Prog Rock… and hate it. The glimpsed-at imagery – forests, murderous intensity, ultimate banalities – shrieks genius, to me: likewise the trickling guitar and mad, subversive bass all over this album.

Disc five:

It Doesn’t Make It Alright – The Specials. https://uk.video.search.yahoo.com/search/video?fr=mcafee&ei=UTF-8&p=the+specials+it+doesn%27t+make+it+alright&type=E211GB384G0#id=1&vid=d1ffe800b70ef0e618cd018eddb510f3&action=click

Loved and indeed still do love The Specials. Could have chosen anything from The Greatest Number One Of All Time (Obviously), Ghost Town, to the soaring Free Nelson Mandela. Chose this for its modest typicality and preciously non-precocious message towards anti-racism – which may be the message for the age, yes? Elsewhere the obviousness and ‘worthiness’ might be clunky: not with these guys. The Specials have truth and magic.

Disc six:

Transmission – Joy Division. https://www.youtube.com/watch?v=6dBt3mJtgJc

Something essential and pure and simple going on here. Something which destroys radios, or the whole concept of ‘air-play’. A riff, one of the great bass-lines, some strangely affecting vocals. A storm of purifying angst. Curtis paraphrasing and somehow raising the bar that Costello hoisted with Radio Radio: annihilating ‘the fools trying to anaesthetise the way that you feel’. Stripped-out, godlike; a new wave. Of its time, of course… but timelessly fresh, I reckon.

Bloo-dee Nora – disc seven:

Trying not to let the clamouring Bunnymen and Cure and Nina bloody Simone, fer Chrisssakes(!) in. So actively disallowing too much historical, proportionate consideration. Instead, going back to Poor Old Soul – Orange Juice. https://www.youtube.com/watch?v=RmpNSpzx2wI

Another understated worldie. Ridicu-literate and jangly and full of that utterly authentic integrity that Proper Songwriters can find and can offer us. Defying the tsunami of pap and of casual, idle affairs. Strumming towards something crystalline and gobsmacking.

Then charging on… to disc eight, where it does get scary.

Except I’m re-committing to this idea that on another day five of these get changed, so all pressures are off. And it doesn’t matter that this dates me. I can surge on, irresistibly and fearlessly. I can and am going to tell you that Radiohead have been the greatest rock and roll band of the last twenty-plus years… and that therefore I must and can and will go to their stack of stonking, enriching missives.

Going for No Surprises. https://www.youtube.com/watch?v=u5CVsCnxyXg

Those words; those chimes; that worldly, artful irony. Squeezing out sparks, squeezing out the essence of where we’re at. Somewhere dark, thin, bland, un-worthy.

A heart that’s full up like a land-fill

A job that slowly kills you

Bruises that won’t heal.

Hardly a laugh a minute, but there is plainly, obviously, undeniably beauty and insight and truth, here… and therefore protest. Could be I’m saying (with these choices) that folks who are somehow active are my chosen company for a spell on a desert island. Make of that what you will.

Now. Who comes with you?

Oof. Just been asked which one I keep. In the spirit of punktastic and diabolical cheek… I’m keeping Whiteman in Hammersmith Palais, The Clash!

In a similar spirit, can see me adding Things I Forgot to this *definitive list*…

Multifarious apologies for any cruelly intrusive adverts that may interfere with your listening.

Ted Lasso.

Two series in, so what do we think?

We think it’s pret-ty close to wonderful. We think it’s gobsmackingly surprising that something which we feared was gonna reek of America(na), of franchises, of that whole dumbing-down of the universe by checking in so constantly with the Gods Who Dance With Schmaltz turns out to be a rampaging, intelligent, bright and even poignant force for good. (Good telly; goodness in humanity).

We have fallen about, and blubbed. We’ve darn-near turned off – maybe when Ted’s made-for-American TV-isms have flown irritatingly over our heads again… but then been utterly compelled, both by the humour of the Overall Thing and by the brilliance of the sporting intel.

Say what?!? Sporting intel? Yes, even when – as always – the live sport can seem clunky and in danger of failing the myriad authenticity tests so immediately and rightly hoisted by pedantically maniacal fans like my good self. (We know footie. Don’t fuck wiv us*). YES, sporting intel, because whoever is writing/directing/playing/making this stuff does understand football (enough) and, remarkably, coaching, too.

*In fact the live sport here is waaay better than most; though admit the bar has been set appallingly low by almost every football film or series in history. Players can play, mostly, ‘live’ matches are 80% there and the changing-room vibe is decent, plus.*

Ted Lasso (the programme) makes a zillion jokes about Ted Lasso (the coach) not knowing the rules, the history, the zeitgeist in which football booms and busts and yaknow, breaks us. But – in case, friends, ya missed it – this is all knowingly done. The outstanding awareness and generosity and wisdom embedded in the Lasso Method – coaching as transformative, civilising mission, which *really does* look to empower players/individuals, through appreciation, prompting, enquiry, support – utterly squishes any idea that this Dumb American is some under-informed fraud. NO. Ted is a wonder-coach; that’s what this story is about. A bloke who, despite being absurdly out of place, re-defines the quality of that place… by being wonderful… and sophisticated… and deeply, inviolably human.

Everything is faith. That corny, hand-written sign above the door, that says BELIEVE. That ethos, where something we might need to dare to call brotherhood (and critically, authentic sisterhood) grows, becoming essential to the execution of strategies on the pitch and the veracity of the drama beyond it. If there is a tension around Ted’s flirting, or outright crazy street-meme-dancing with and through banalities-which-might-be-profundities and vice-versa, somehow it works. People love him and he bloody deserves it. We’re mercifully and pointedly not hearing anything about god, here, but the series is an ode to faith.

(Minor note. I’m a sports coach so do have some knowledge of how teams are selected, motivated, organised. It’s clear to me that Ted/the writers have a good understanding of where coaching is. Lasso’s relentless good-humour should not obscure the objective – which goes beyond any kind of ‘good guys can win’ schtick. Ted is enacting a very contemporary thread towards building ownership/decision-making/power within the player. The camaraderie and the community-of-souls thing is of course a necessary co-host to all this developing positivity. But the leadership smacks of informed, elite-level choices towards empowerment).

So Ted is a humble genius and a daft idol. Vulnerable, through family breakdown and trauma – separated, father a suicide – prone to anxiety attacks which we see, on camera, in a popular TV series. Further evidence that this world-franchise-monster is overwhelmingly a force for good in the universe. (Except that’s daft, right?)

This is a Big Television Event and it has resources. Unlike many hiked-up projects that might fall into that category it shares the quality and the stories around. Hard to find a character that isn’t well-drawn, generously developed, real enough to make us laugh or cry or root for them. (Can’t stand Awards Ceremonies so didn’t watch the Emmys but apparently it won a shedload. No wonder. Great casting, looks excellent in almost every scene, scripts top-level).

Coach Beard is brilliant – lugubrious and wise and kinda delusionally-in-lurv. He gets ‘his own episode’. Rebecca Welton is stunning and hilarious and extraordinarily multi-dimensional. Her relationship with Keeley Jones, who is willing herself rather magnificently towards Being Someone, whilst oozing with love for those around her, is knock-out and frankly, emosh. Lots of this is frankly emosh, whilst knowing exactly how close it tiptoes to that aforementioned schmaltz.

In short – because I really could go on, about Coach Nate, Mae in the pub, those daft three Greyhound supporters and Miss Fuckwitch and (Our New Hero) Sam Obisanya and (That New Pantomime Villain That I Ju-ust Think We Might Finish Up Loving) Jamie Tartt – you need to make an effort to see Ted Lasso. On Apple TV. It’s popular but grown up. There is sex – and especially via the softening but formerly hardened street-warrior Roy Kent – there is lots of fu-uck-ing language. So what? More importantly, this is a ludicrous but self-aware and ‘issues’-aware smash. A celebration. A reminder that cynicism – probably ours – is bad and that love stories can be good.

Visceral.

McCoist was talking shamelessly tribal gibberish. The roof was off. The rain, having been appropriately biblical, was now an irrelevance. As was football. As was gravity, quality and Covid19. Everything old, new, bright, dim, dark or dead lived in the moment – in the roar.

Hampden. Hampden the protagonist. Football under those eyes, yes, but hardly, maybe? Or is that an insult to the selfless rage? A specialness that’s so deafening you don’t know how to rate it or see it through. And never mind thinking, how do you coordinate? And whose chest do you beat?

That sense of international-level football having been usurped… leaving us or leading us into what? Early-on, arm-wrestling; cheating, or simulation and sliding, by the looks. Fakery and thrust and the cusp of violence. Mainly a kind of mindlessness; a slipping away into the inevitable.

Bloody Scotland were bloody. And Scotland. Defending so badly at crucial moments it was almost unbelievable but cruelly, comically Scottish to those of a neutral bent – obvs. Surging manically and (hah! First half) launching those laughable long throws, so deeply did history and expectation (and the rain and the Lack of Quality and Lack of Options) conspire towards a kind of old-school physical intimidation of the Others. Israel in white: rolling about in sequence – so not entirely naively shell-shocked – but shamelessly (the sly wee devils) also looking to yaknow, play.

McGinn scores a fine goal and every now and again looks – god forbid – to pick up his head and thread something. Gilmore available but lost, too often, in the maelstrom; contribution mixed. Liverpool’s left back barely in the game, or certainly force-less, but Dykes running through the whole, soaking melodrama. Poor then heroic then shocking then at the bloody centre. (His feeble pen, his fortunate goal, allowed, post-VAR, by the ref, despite studs raised chest high). All extraordinary, all predictable.

(For that penalty I wonder if perhaps the official was so bored with Israeli histrionics he simply awarded against the visiting centre-back, who had fallen stricken, feeling the striker’s boot close against his face. There was no meaningful contact, and the centre-forward could not adjust himself to dive and head, but for me it was what we used to simply call ‘foot up’… and therefore dangerous – at least potentially. No goal but goal given. Naturally. This was almost entirely a visceral experience and the fact of slow-motion ree-plaaays and/or civilised consideration by a team of skilled officials was never going to re-educate that).

Scotland won an often enthralling, sometimes dispiritingly low-fi game, by out-gamboling, out-hearting, out-charging their opponents: 3-2, with McTominay chest-bumping in the winner. The lad went through the gears from embarrassment to Braveheart before quite knowing how to celebrate. Then he lapped-up the scrumptious, overwhelming barrage from the stands. The tall, resolute but notably one-paced midfielder knew full-well that he owed those supporters for an assist.

The match then, was a fierce throw-back, with the abundant brilliance McCoist and his fellow pundits apparently saw being surely essentially a brilliance of spirit. Scotland played, as they do – as they need to – with palpable spirit. This is a less patronising assessment than you might think. Some of this occasion was tremendous.

Catching up.

Well what a weekend that was. Missed the United-‘Pool game, live but watched *a lot of* rugby, before coaching most of Sunday. Into Monday and I’m wondering if I’ve actually got sleeping sickness, or just succumbed again to one of the other the eight zillion medium-hardcore viruses stalking Pembs. Post the oval ball binge, I sleep from about 9pm Sunday to 9 am Tuesday, with brief interludes for Match of the Day 2 and New Zealand White Ferns v England Women. So night is day and day is… whatever.

I’m feeling somewhat recovered – otherwise I wouldn’t be joining you (obvs) from Haverfordwest Library, with its almost-views of the elsewhere beautiful Cleddau and the crass, heavy-bricked ‘precinct’ surrounding. Incidentally; aren’t libraries great?!? Yes. They are.

I enjoyed all that rugby but hard to say why, exactly. Maybe it’s just that the Six Nations is so full of tribal accessories and yaknow – feeling – that even mediocre games mean something. Wales’s almost catastrophically poor first half against the resurgent Italy (volume trentasette) meant most of my neighbours were seriously pissed-off but more stark evidence of the black hole where Wyn Jones and Faletau recently battled gravity surprised few of them.

Given that the one thing we know about Gatland is that he tends to be good at organising teams – making them robust and hard to beat – the relative frailty and low quality of the current side may indeed reflect the seriousness of the downturn across the principality *at large*. In the Italy game we saw a worrying amount of Warrenball minus the crunch and (dare I say it) the heart. If the team shape was understood there was still an alarming absence of intensity and physicality: nothing to build from.

No wonder then, that the rumbling about the Regional Game in Wales has gone up a notch, resulting in the normally impressively measured Sam Warburton coming up with some contentious stuff about diverting the overwhelming bulk of monies available into the pro’ game – even if this detracts from grassroots. Rugby in Wales is in a trough. And at the distant crest it feels a bit like nobody knows how to either re-structure it or re-capture the precious elements; freedom to play; irresistible energy; hwyl.

Ireland were of course playing at a higher level – though they failed to maintain it. Against France they put down the most emphatic of markers, effectively ending the tournament as a contest, before half the teams had kicked or handled the ball. Nobody was going to live with their completeness as a side. (Sure, England beat them, but don’t go telling me that Borthwick’s coaching compares with Farrell’s, despite relatively comparable resources). England may finally have shown the many hostile neutrals out there that they can attack (against France) but they were bang ordinary (again) for much of the tournament. Improvements are coming almost by accident – often a sign of uninspired coaching. Ireland, meanwhile, should be manifestly disappointed not to have won the slam… and I bet, deep down, they are.

But I enjoyed the tournament. Enjoyed the expected dose of Scottish flair tempered by inevitable(?) defeat against better-resourced squads – Ireland, France. Was kinda moved and *almost shocked* – and yet not – by the wildness of that Welsh comeback against Scotland. And I liked that Italy felt closer again to being a meaningfully competitive outfit. The Six Nations tends to really work.

If the energy holds, I may yet write about Garnacho or Heather Knight. But first, perhaps, a tactical kip.

Tel.

He was a player, a nightclub singer, one of the lads loosening that tie. Oh – and England manager.

He was El Tel. He was the bloke that knew about Sheringham and believed in Anderton. He really probably was a Wide Boy, but most of us didn’t really care because his football ideas were kinda great and any idiot could see that the lads loved him.

Terence. A name of its time and location. Maybe bit sarfy, bit boozy, bit likeably bobby and weavy. Common but also showy – even show-bizzy? Hardly sophisticated, more redolent of nights out or misadventures than nights in over a good book, but (maybe like Shankly/Clough/Bobby Robson?) there was intelligence relevant-to-the-task in the armoury. Acute intelligence: we might even cross over into philosophic intelligence, because Venables, despite sharing in the traditional Brotherhood of Gaffers capacity to intuit, was a shade more modern than those other blokes.

Robson, of course also went to Barcelona, and was also a great and original coach, loved by some very talented, high-profile players. He also managed England, intermittently with real distinction. But Venables, perhaps because he blurred those lines between mentorship and friendship a little more, and still drove playing-styles and formations forward, was unique. Tel – or El Tel – could push or persuade the pattern convincingly. The players did love him and did believe.

There’s rightly been a return to the Netherlands Moment, since Venables departed for that nightclub in the sky. It was a triumph for him and for a beautiful, rather un-English way of playing. The emphatic finish from Shearer, after Sheringham’s fabulous, weighted pass lives long in the memory for a chunk of us. It was the punctuation mark for the shift towards fluency and skill and tactical freedom that Venables stood for and aspired to. He made it possible because of that combination of personal charisma – who better to ‘put an arm round?’ – and a genuinely cultured understanding of strategy. England had done ‘limited’, largely, for decades. Venables brought liberation.

He was lucky to have players, sure. But not only did he select well (and boldly), he got into their heads. It’s one thing to know you’re good enough to play in any league on the planet; entirely another to form a team that looks full of that confidence, however fleetingly. Venables persisted with teams featuring *all of* Anderton/Gascoigne/Sheringham/Shearer/McManaman. At a time when it still might be tempting to view both ‘wide men’ as potential luxuries.

It’s true that his defence looked ver-ry ‘trad England’: Seaman/Neville/Adams/Southgate/Pearce, but both fullbacks liked to fly forward, if only to deliver crosses (asyadid, back then). Besides, the role of these stout fellas – probably the best available, in any case – was to facilitate enterprise up the park, via yer Gascoignes and Sheringhams. Venables did make the Three Lions watchable… and in that daft way of sporty things, this felt important.

Cheers, Tel. xxx

Pic via Daily Mail.